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Ghost Story released December 18, 1981

Posted by GoreMaster Special Effects on December 18, 2009

Ghost Story is a 1981 American horror film based on the book of the same name by Peter Straub. It is directed by John Irvin and it stars Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman and Craig Wasson (in a dual role). It was the last film to feature Astaire, Fairbanks, and Douglas, and the first film to feature Michael O’Neill.

Directed by
  John Irvin

Writers
  Lawrence D. Cohen Writer
  Peter Straub Novel

Producers
  Douglas Green … co-producer
  Ronald G. Smith … associate producer
  Burt Weissbourd … producer

Cast
  Fred Astaire … Ricky Hawthorne
  Melvyn Douglas … Dr. John Jaffrey
  Douglas Fairbanks Jr. … Edward Charles Wanderley
  John Houseman … Sears James
  Craig Wasson … Don Wanderley/David Wanderley
  Patricia Neal … Stella Hawthorne
  Alice Krige … Eva Galli/Alma Mobley
  Jacqueline Brookes … Milly
  Miguel Fernandes … Gregory Bate
  Lance Holcomb … Fenny Bate
  Mark Chamberlin … Young Jaffrey
  Tim Choate … Young Hawthorne
  Kurt Johnson … Young Wanderley
  Ken Olin … Young James

Make Up Department
  Irving Buchman … makeup artist
  Albert Jeyte … makeup artist
  Robert Jiras … makeup artist
  Philip Leto … hair stylist
  Rick Sharp … makeup artist
  Dick Smith … special makeup

Special Effects Department
  Henry Millar Jr. … special effects

Visual Effects Department
  Syd Dutton … matte artist
  Dennis Glouner … matte photography
  Bill Taylor … matte photography
  Albert Whitlock … special visual effects
  Henry Schoessler … matte crew

Trivia:

 

  • The last feature film for veteran actors Melvyn Douglas, Fred Astaire, and Douglas Fairbanks Jr..
  • Melvyn Douglas (Dr. John Jaffery) is actually mentioned in the novel on which the movie is based.
  • Fred Astaire (Ricky Hawthorne) is actually mentioned in the novel on which the movie is based.
  • Young Ricky Hawthorne says, “I can’t dance.” Old Ricky Hawthorne is played by Fred Astaire. This line wasn’t in the novel.
  • Searching for someone qualified to score a story dealing with elderly people, the production team was reminded of Le chat (1971), a French film about a bitter old couple spending time arguing. That’s how Philippe Sarde was hired and why some of the main theme of that precise film is repeatedly used in the score of “Ghost Story.”
  • Robin Curtis’ film debut.
  • The pipe organ used is the same organ that was used by Lon Chaney in The Phantom of the Opera (1925).
  • Interiors were constructed inside the abandoned Union Station, the former New York Central Railroad’s passenger train station on Broadway in Albany, NY and included a two story set. The murder or death scene was filmed on the second floor of that set. Scenes were filmed in sequence and the two story set was significantly aged after the death scene so that it later appeared as the derelict house. After the movie, the old station was refurbished and restored to its former grandeur and served as office space for Fleet Bank and now Bank of America.

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Brad Pitt Birthday December 18

Posted by GoreMaster Special Effects on December 18, 2009

 

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William Bradley “Brad” Pitt (born December 18, 1963) is an American actor and film producer. He has been cited as one of the world’s most attractive men, a label that entices the media to report on his off-screen life. Pitt has received two Academy Award nominations and four Golden Globe Award nominations, winning one.

Pitt began his acting career with television guest appearances which included a role on the CBS soap opera Dallas in 1987; later gaining recognition as the cowboy hitchhiker who seduces Geena Davis’s character in the 1991 road movie Thelma & Louise. Pitt’s first leading roles in big-budget productions came with A River Runs Through It (1992) and Interview with the Vampire (1994). He was cast opposite Anthony Hopkins in the 1994 drama Legends of the Fall which earned him his first Golden Globe nomination. In 1995, he gave critically acclaimed performances in the crime thriller Seven and the science fiction film Twelve Monkeys, the latter earning him a Golden Globe Award for Best Supporting Actor and an Academy Award nomination. Four years later in 1999, Pitt starred in the cult hit Fight Club. Subsequently in 2001, he starred in the major international hit Ocean’s Eleven and its sequels Ocean’s Twelve (2004) and Ocean’s Thirteen (2007). He has had his biggest commercial successes with Troy (2004) and Mr. & Mrs. Smith (2005). Pitt received his second Academy Award nomination for his performance in the title role in the 2008 film The Curious Case of Benjamin Button.

Following a high-profile relationship with actress Gwyneth Paltrow, Pitt was married to actress Jennifer Aniston for five years. As of 2009, he lives with actress Angelina Jolie in a relationship that has attracted worldwide media attention. He and Jolie have three adopted children, Maddox, Zahara, and Pax, and have also given birth to three biological children, Shiloh, Knox, and Vivienne. Pitt owns a production company named Plan B Entertainment, which produced the 2007 Academy Award winner for Best Picture, The Departed, among other films. Since beginning his relationship with Jolie, he has become increasingly involved in social issues both in the United States and internationally.

Trivia

Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#23). [1995]

Turned down a role as an astronaut in Apollo 13 (1995) to accept his role in Se7en (1995).

Posed for a campus calendar in college.

A girl went to Pitt’s Hollywood-area home shortly after midnight Jan. 7, 1999 and crawled in through an open window, dressed herself in his clothes and stayed for 10 hours before the alarm went off. Athena Rolando, 19, was ordered not to contact the actor and to stay 100 yards away from him for three years. [1999]

Ranked #32 in Empire (UK) magazine’s “The Top 100 Movie Stars of All Time” list. [October 1997]

Mutally agrees to split with Gwyneth Paltrow. [June 1997]

Banned from entering China because of his role in Seven Years in Tibet (1997). [1997]

Chosen by “People” magazine as one of the 50 most beautiful people in the world. [1997]

Engaged to actress Gwyneth Paltrow. [20 December 1996]

Donated $100,000 to the Discovery Center – a children’s learning museum in his hometown of Springfield, Missouri. [June 1996]

Chosen by People (USA) magazine as one of the 50 most beautiful people in the world. [1996]

1994: Given title “Sexiest Man Alive” from People Magazine, after making Legends of the Fall (1994).

May 1992: Lived in Southern California with friend Buck Simmonds, who starred with him in A River Runs Through It (1992).

Dated Juliette Lewis. They met on the set of the NBC movie of the week Too Young to Die? (1990) (TV). They also did Kalifornia (1993) together.

He was the third choice for the role of J.D. in Thelma & Louise (1991). William Baldwin, the first choice, left to star in Backdraft (1991).

Had to learn to fly-cast for his role in A River Runs Through It (1992). He practiced on top of buildings in Hollywood. During these practices he frequently hooked himself in the back of his head.

Voted “Best Actor” by viewers of MTV’s “The Big Picture” (1988) in 1995.

Was a journalism major in college with an advertising focus.

Listed as one of twelve “Promising New Actors of 1991″ in John Willis’ Screen World, Vol. 43. [1991]

Graduated from Kickapoo High School in Springfield, Mo. [1982]

Dropped out of the University of Missouri School of Journalism (Columbia, Missouri).

In high school was a member of the golf, tennis, and swim teams.

Belonged to the Key Club and the Forensics Club in High School.

Listed in “People Weekly”s “Most Intriguing People” list. (December 25, 1995/January 1, 1996 issue)

He has a brother Doug, born in 1966 and a sister Julie, born in 1969.

Given title “Sexiest Man Alive” from People Magazine, Mr. Pitt was also People’s choice in 1995. [2000]

Was considered for the lead in The Matrix (1999).

Has his teeth capped.

Sued Damiani International, the company which created the wedding ring he gave Jennifer Aniston. According to Pitt, the ring was his design and was to be exclusive. The company has since been selling replicas and indicating Pitt/Aniston’s endorsement of the ring. [18 July 2001]

He and ex-wife Jennifer Aniston spent $1 million on their wedding. [2000]

He and ex-wife Jennifer Aniston reached a settlement with Damiani International. The pair claimed the company agreed to never reproduce their wedding rings, but it manufactured and sold “Brad and Jennifer” rings in 18 karat white or yellow gold, featuring either 12 or 13 diamonds and costing about $1,000 apiece. Under the settlement, Pitt will now design jewelry for Damiani that Aniston will model in ads, and Damiani will stop selling the Pitt and Aniston copies. [11 January 2002]

For the last couple of years he has been the spokesman for Edwin Jeans ads in Japan. In 2001 he was also the face of the ads for a new Japanese canned coffee which is named Roots. Was replaced in these tv ads (2002) by Kevin Costner.

Studied acting with the late Roy London.

Did TV commercial for Toyota (Altis model) that aired only in Asia. The car became very popular and its sales resulted in Toyota getting an almost 32% share of the passenger car market.

Has a home at Lake Mohawk in Sparta, New Jersey.

Auditioned for the role of “J.D.” in the 1988 cult classic film Heathers (1988) and, though he showed talent, casting directors thought him to be “too sweet” for the role, which later went to Christian Slater. He would later go on to a very similar role in the horror film Cutting Class (1989) in 1989.

Is mentioned by name in the Shania Twain hit song, “That Don’t Impress Me Much.”

He is a member of the Sigma Chi Fraternity. The Xi Xi chapter at The University of Missouri – Columbia.

After watching Lock, Stock and Two Smoking Barrels (1998), Pitt asked director Guy Ritchie if he could be in his next film. He couldn’t master the English accent, so Ritchie gave him the role of Mickey the One Punch Pikey, an Irish fighter, in Snatch. (2000).

With Brad Grey’s departure for Paramount and after the divorce settlement with ex-wife Jennifer Aniston, he now solely owns Plan B Entertainment.

Tore his Achilles tendon during the production of Troy (2004), in which he plays, ironically, Achilles. His injury caused the production of Ocean’s Twelve (2004) to be pushed back to April 2004. [2003]

Is the first man ever to be named “Sexiest Man Alive” twice by “People Magazine.” (1994 and 2000).

He and ex-wife Jennifer Aniston campaigned in the United States to save “EastEnders” (1985) from being axed there [2003].

Showed his parents the “Chemical Burn” scene to convince them not to watch Fight Club (1999).

Got into better shape and eventually gained over 20 pounds of muscle for Troy (2004).

He has appeared in three movies with the number seven in the title (Se7en (1995), Seven Years in Tibet (1997), and Sinbad: Legend of the Seven Seas (2003)). He has also appeared in two movies with the number twelve in the title (Ocean’s Twelve (2004) and Twelve Monkeys (1995)).

He was ranked #6 on VH1′s “100 Hottest Hotties.”

His high school nickname was Brad the “Pitt-bull.”

He took Greek language lessons in secret to surprise his ex-wife Jennifer Aniston who is of Greek ancestry.

Voted #1 in Company magazine’s annual “100 Sexiest Men” poll, 2004.

His favorite movies are Planet of the Apes (1968) and Saturday Night Fever (1977).

Announced on January 7, 2005 that he and Jennifer Aniston are separating after 4 1/2 years of marriage.

Was listed as a potential nominee on the 2005 Razzie Award nominating ballot. He was listed as a suggestion in the Worst Actor category for his performance in the film Troy (2004). He did not receive a nomination, however.

Dianne Wiest is his favorite actress.

Premiere Magazine ranked him as #50 on a list of the Greatest Movie Stars of All Time in their Stars in Our Constellation feature (2005).

A short while after completing A River Runs Through It (1992), he fled to Amsterdam where he briefly lived for three months by himself in a small basement apartment before returning to the USA to film Kalifornia (1993).

He and his ex-wife Jennifer Aniston met on a blind date, which was arranged by their agent

He and his Ocean’s Eleven (2001) / Ocean’s Twelve (2004) co- stars, Julia Roberts, George Clooney and Elliott Gould, all have guest-starred on the TV show “Friends” (1994), though not in the same episodes

Owns and plays Taylor Guitars

In 2001 renowned architect Frank O. Gehry renovated the wine cellar in the home in which Pitt and wife Jennifer Aniston lived. Pitt subsequently did an informal apprenticeship in Gehry’s Los Angeles office.

Owns the rights to the Hong Kong thriller Mou gaan dou (2002). He wanted it to be remade with he and Tom Cruise in the leading roles.

Visited over 100 orphans affected by HIV at a facility run by The Salvation Army in South Africa.

Is a member of the Sigma Chi fraternity.

Has appeared in eight movies with a number in the title – and only one of them uses an actual number rather than spelling the word out. That is Se7en (1995), which is a combination of the two, He has appeared in 1 movie with the number Zero in the title, 1 with the number Two in the title, 3 with the number Seven in the title, 1 with the number Eleven and 2 with the Twelve.

Without being asked to, he made an appearance on MTV’s “Jackass” (2000) where he did stunts with the cast, dressed in an ape outfit.

Raised in Springfield, Missouri, and is an alumni of Kickapoo High School. Other alumni include Adrienne Wilkinson and Jay Kenneth Johnson.

Broke his arm during the filming of Se7en (1995). The injury was written into the movie.

Adoptive father of Maddox Jolie-Pitt and Zahara Jolie-Pitt with Angelina Jolie.

Wanted to play Darcy in Bride & Prejudice (2004), but wasn’t able to work out the filming dates.

Daughter (with girlfriend Angelina Jolie) Shiloh Jolie-Pitt was born 27 May 2006 in Namibia, Africa.

Ranked #15 on Premiere’s 2006 “Power 50″ list. Had ranked #31 in 2005.

Was considered for two roles which went to Johnny Depp: Ichabod Crane in Sleepy Hollow (1999) and Willy Wonka in Charlie and the Chocolate Factory (2005). Both were directed by Tim Burton.

The first commercial that Brad Pitt ever booked was through Matrix Talent Agency, Los Angeles. His agent was Linda Olhava, sister of film director Jody Lee Olhava.

Has Single Engine Land pilot license.

Occasionally flies a Cessna 208B Caravan belonging to Chivan Productions.

Initially didn’t want to appear in Mr. & Mrs. Smith (2005), although it was he who gave the script to director Doug Liman.

Originally cast as Colin Sullivan in The Departed (2006), but later dropped out. He continued to produce the film under his (and his then wife Jennifer Aniston’s) production company, Plan B.

Brad Pitt as Tyler Durden in Fight Club

His first job was dancing in a chicken suit to draw in

Donated 5 million dollars of his own money to rebuild homes in Katrina-ravaged New Orleans.

In 2005, he earned $4,500,000 for a Heineken commercial that aired during the 2005 Super Bowl.

In 2007, Forbes Magazine estimated his earnings for the year to be $35 million.

  

Posted in Action, Adventure, awards, Birthdays, On this Date, vampire | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Steven Spielberg Birthday December 18

Posted by GoreMaster Special Effects on December 18, 2009

Steven Allan Spielberg, KBE (born December 18, 1946) is an American film director, screenwriter, and film producer. In a career spanning over four decades, Spielberg’s films have touched on many themes and genres. Spielberg’s early sci-fi and adventure films sometimes centering on children, were seen as an archetype of modern Hollywood blockbuster filmmaking. In later years his films began addressing such issues as The Holocaust, slavery, war and terrorism.

Spielberg won the Academy Award for Best Director for 1993′s Schindler’s List and 1998′s Saving Private Ryan. Four of Spielberg’s films, Jaws (1975), Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), and Jurassic Park (1993), broke box office records, each becoming the highest-grossing film made at the time. To date, the unadjusted gross of all Spielberg-directed films exceeds $8.5 billion worldwide. Forbes magazine places Spielberg’s personal net worth at $3.0 billion. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the twentieth century, Life named him the most influential person of his generation.

 
 
 
 
 

ET and Steven Spielberg

Trademark:

Uses powerful flashlights in dark scenes (Jurassic Park (1993); The Lost World: Jurassic Park (1997) and E.T.: The Extra-Terrestrial (1982)). The outline of the beam is often made visible through dust, mist, or fog.

Frequently uses music by John Williams.

Often shows shooting stars (Jaws (1975)).

Onscreen performers staring, usually at something off camera.

He often uses images of the sun (Raiders of the Lost Ark (1981), The Color Purple (1985), Empire of the Sun (1987), Saving Private Ryan (1998)).

His films often show children in some sort of danger.

Consistent references to World War II.

Frequent references to Disney films, music, or theme parks.

Frequently uses a piano as an element in key scenes (Schindler’s List (1993), Saving Private Ryan (1998), Minority Report (2002)).

Important images, or characters, are often seen through the rear-view mirror of a car (Duel (1971) (TV), E.T.: The Extra-Terrestrial (1982), Jurassic Park (1993), Schindler’s List (1993), Artificial Intelligence: AI (2001)).

Frequently casts Tom Hanks, Richard Dreyfuss, Harrison Ford, Frank Welker and Tom Cruise.

Protagonists in his films often come from families with divorced parents, with fathers portrayed as reluctant, absent or irresponsible, most notably in _E.T.: the Extra-Terrestrial (1982)_ (Elliot’s mother is divorced and father is absent) and Catch Me If You Can (2002) (Frank Abagnale’s mother and father split early in the film). This reflects Spielberg’s own experience as a youth with his parents breaking up.

A common theme in many of his films is ordinary people who discover something extraordinary – people, places, artifacts, creatures, etc. (Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982)).

Since Raiders of the Lost Ark (1981), all of his movies have featured visual effects (even those that were undetected) by Industrial Light & Magic (ILM), the F/X house created by his friend George Lucas. The only exception has been The Terminal (2004), which had F/X work by Digital Imageworks.

Is credited for starting the summer blockbuster tradition with 1975′s first $100 million megahit, Jaws (1975).

Trivia:

Member of Theta Chi Fraternity (Zeta Epsilon Chapter, Long Beach State University). One of his fraternity brothers was Roger Ernest.

Received the Germany’s Cross of Merit with star for his sensible representation of Germany’s history in Schindler’s List (1993). [1998]

Jonathan Norman was sentenced to 25 years to life, for stalking Spielberg and threatening to rape him. [June 1998]

Chosen by Entertainment Weekly as the most powerful person in entertainment in 1997. [31 October 1997]

American Film Institute Life Achievement Award. [1995]

There are seven children in the Capshaw-Spielberg family: Theo Spielberg, who was adopted by Kate Capshaw before their marriage and later adopted by Spielberg, born in 1988, Sasha Spielberg, born on 14 May 1990, Sawyer Spielberg, born on 10 March 1992, their adopted daughter Mikaela George Spielberg, born on 28 February 1996, and Destry Allen Spielberg, born on 1 December 1996. Kate Capshaw’s daughter Jessica Capshaw, born in 1976, is from her previous marriage. Steven Spielberg’s son Max Spielberg, born in 1985, is from his previous marriage to Amy Irving.

Amy Irving gave birth to his son Max Spielberg on 13 June 1985.

He claims Richard Dreyfuss is his alter-ego.

Attended California State University, Long Beach after being turned down by USC Cinema school twice.

Attended Arcadia High School in Phoenix.

Awarded second annual John Huston Award for Artists Rights by the Artists Rights Foundation. [1995]

Co-founder (with Jeffrey Katzenberg and David Geffen) of DreamWorks SKG.

He has one of the original Rosebud sleds from Citizen Kane (1941) in his house.

Godfather of Drew Barrymore and Gwyneth Paltrow.

Named Best Director of the 20th Century in an Entertainment Weekly on-line poll, substantially beating out runners-up Alfred Hitchcock and Stanley Kubrick. [September 1999]

Born to Arnold Spielberg, a computer engineer, and Leah Adler, née Posner, a restaurateur and concert pianist.

Received the Distinguished Public Service Award, the U. S. Navy’s highest civilian honor, on Veterans Day 1999 for his work on the movie Saving Private Ryan (1998).

Sits on USC School of Cinema-Television’s Board of Councilors.

When he was a child, he sneaked onto the lot of Universal Studios during a tour and befriended an editor who showed him a few things about filmmaking.

Gwyneth Paltrow calls him Uncle Morty.

During filming of their episode of “Night Gallery” (1970), Spielberg gave Joan Crawford the gift of a single red rose in a Pepsi bottle. During an on-set conversation with Detroit Free Press reporter Shirley Eder, Crawford pointed out Spielberg and said, “Go interview that kid, because he’s going to be the biggest director of all time!” Crawford and Spielberg remained good friends until her death in 1977.

Awarded the honor of Knight of the Order of the British Empire (KBE) in New Years Honours 2001 by Queen Elizabeth II for his contribution to the British film industry. As a non-Commonwealth citizen, he will not be able to use the title. [December 2000]

States that the work of David Lean has had a profound effect on his career.

Spent five months developing the script for Rain Man (1988) with Ronald Bass, but had to commit to his handshake deal to direct Indiana Jones and the Last Crusade (1989). Spielberg gave all of his notes to Barry Levinson.

Almost directed Big (1988) with Tom Hanks starring, but didn’t want to steal the thunder of his sister, Anne Spielberg, who co-wrote the script.

Personally offered the American Beauty (1999) script to Sam Mendes, who ended up winning the Academy Award for Best Director on the film, which was Mendes’s debut feature.

Flew Will Smith to his Hamptons home via helicopter to offer him the part in Men in Black (1997).

Often casts new actors based on their performances in other works. Rarely does auditions for major roles.

Was asked to approve use of the theme music from Jaws (1975) for Swingers (1996). When he saw a cut of the film, he saw Vince Vaughn, whom he chose to play Nick Van Owen in The Lost World: Jurassic Park (1997).

He is an Eagle Scout and was on an advisory board for the Boy Scouts of America. He left this position because he did not agree with the fact that the Boy Scouts of America discriminated against homosexuals.

Was directing a childbirth scene when he received a call that Amy Irving was giving birth to their son Max Spielberg.

According to the 2001 issue of Forbes’ “400 Richest People In America,” Spielberg’s fortune is $2.1 billion.

Was irked when footage from his movie Duel (1971) (TV) was used as stock footage in an episode of “The Incredible Hulk” (1978). But since Universal Studios owned the rights to both the The Incredible Hulk series and the film of Duel, taking legal action was not possible. However, he subsequently updated his contracts to include a clause that would protect his future material from being used as stock footage.

On May 31, 2002, graduated from California State University Long Beach with a bachelor’s degree in film and electronic arts. He had dropped out of college in 1968 to concentrate on his career, but during the 2000s fulfilled his remaining graduation requirements via independent projects, which required correspondence courses and several term papers. For Spielberg, the school waived its requirement that all senior film majors must submit a completed 12-minute short film, accepting Schindler’s List (1993) in its place. He donned cap and gown and marched in the commencement ceremony with his fellow graduates.

Received honorary doctor of humane letters degree from Yale University (27 May 2002).

When Spielberg received his undergraduate degree (about 35 years after he had first entered college), the orchestra played the theme from the “Indiana Jones” series of films as he walked up to and across the stage.

Owns the rights to the Stephen King novel “The Talisman”. As of 2002, the book has not been made into a film. He is now producing this film for release in 2007.

His father served in World War II in South East Asian Front.

Michael Kahn has edited all of Spielberg’s theatrical features since Close Encounters of the Third Kind (1977), their first collaboration. Kahn did not, however, edit E.T.: The Extra-Terrestrial (1982) because he was editing Poltergeist (1982). E.T.: The Extra-Terrestrial (1982) was edited by Carol Littleton.

According to the 2002 edition of Forbes’ “400 Richest People in America,” his fortune is estimated at $2.2 billion, a $100 million improvement over the 2001 estimate.

Ranked #1 in Premiere’s 2003 annual Hollywood Power List. It is the third time he received the top ranking (the others being in 1994 & 1995). He had ranked #6 in 2002.

In Close Encounters of the Third Kind (1977), the humans and aliens use music and computers to communicate. Spielberg’s father was a computer scientist and his mother was a musician. This fact was only recently pointed out to him on “Inside the Actors Studio” (1994) by host James Lipton and he was unsurprisingly delighted when he realised the connection.

Is set to produce a mini-series for HBO that will set out to debunk the legend of King Arthur and the Knights of the Round Table. The mini-series, written by David Leland, will focus on the historical reality of life in 500 A.D., when Arthur was thought to be King and will have no round table, Merlin, Lancelot, Excalibur, or knights. Camelot itself will be shown to have been a simple Roman fort and Arthur, named Artos in the film, will be portrayed as a humble blacksmith whose forging skills win him the English throne. It was expected to air sometime in 2004. [2003]

The first film he directed that was not scored by John Williams was The Color Purple (1985), which was scored by Quincy Jones.

Was voted the 11th Greatest Director of all time by Entertainment Weekly.

In 1983, he lost the Best Picture Oscar to Gandhi (1982), directed by Richard Attenborough. He later went on to direct five cast members, as well as Attenborough, in his later movies: Amrish Puri in Indiana Jones and the Temple of Doom (1984); Roshan Seth in Indiana Jones and the Temple of Doom (1984); Richard Attenborough in Jurassic Park (1993); Ben Kingsley in Schindler’s List (1993), Nigel Hawthorne in Amistad (1997) and Martin Sheen in Catch Me If You Can (2002).

Has worked with four actors from the Hannibal Lecter film series, in reverse order to the order in which the Lecter films came out. The first one he worked with was Ralph Fiennes in Schindler’s List (1993), who went on to play Francis Dollarhyde in Red Dragon (2002). His next film was The Lost World: Jurassic Park (1997), with Julianne Moore, who played Clarice Starling in the third Lecter film, Hannibal (2001). After this, he made Amistad (1997), with Anthony Hopkins, who began playing Hannibal Lecter in the second film, The Silence of the Lambs (1991). After this he made Saving Private Ryan (1998), which featured Dennis Farina, who played Jack Crawford in the original Lecter film, Manhunter (1986).

When asked what are the films he’s made he would like to be remembered for, he said E.T.: The Extra-Terrestrial (1982) and Schindler’s List (1993).

Although close friend, George Lucas, has vowed to only shoot future movies digitally, Spielberg has been the most vocal film-maker of the opposing view: to continue shooting all of his movies on film. Other directors siding with Spielberg include Martin Scorsese and Oliver Stone.

According to his interview on the series “Inside the Actors Studio” (1994), his favorite curse word is “Rats!”

To date, has never provided a director’s commentary on any of his films DVDs. [2004]

In the 2004 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.6 billion, his highest showing yet. The only filmmaker ahead of him is his good friend George Lucas, whose worth is estimated at $3 billion.

Described One Froggy Evening (1955) as “the most perfect cartoon ever made”.

His longtime friend George Lucas originally wanted him to direct the third entry of the original Star Wars trilogy, Star Wars: Episode VI – Return of the Jedi (1983) and Spielberg was eager to do so, but Lucas was unsuccessful in getting him the job because of his dispute with the Director’s Guild at the time.

When he used product placement in E.T.: The Extra-Terrestrial (1982), he used Reese’s Pieces only because M & M’s parent company didn’t want their product associated with aliens and UFOs.

Directed nine actors in Oscar-nominated performances: Liam Neeson; Ralph Fiennes; Anthony Hopkins; Tom Hanks; Melinda Dillon; Whoopi Goldberg; Oprah Winfrey; Margaret Avery and Christopher Walken.

Wrote a letter to Polish writer/director Mira Hamermesh in appreciation of one of her films.

Graduated from Saratoga High School in Saratoga, California.

Ranked #2 on Premiere’s 2005 Power 50 List, behind only Peter Jackson. Had the same ranking in 2004, behind Pixar bosses John Lasseter and Steve Jobs.

Though he has directed 9 actors in Oscar-nominated performances, to date he has never directed an Oscar-winning performance.

Ranked #1 in Empire (UK) magazine’s “The Greatest directors ever!” (2005).

Has been Honorary Member of the Society of Operating Cameramen (SOC) since 1995 and received the Governors Award “for his contributions in the advancement of the use of the motion picture camera”.

He has always been very protective of his name. If his company is working on a film and he feels it is not up to his standards, he will remove his name as a producer.

Aside from producing The Goonies (1985), he also directed at least one scene in the movie.

In the 2005 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.7 billion, a $100 million improvement over 2004 (due mostly to his share of the DreamWorks Animation public stock offering). He, and good friend George Lucas (net worth: $3.5 billion) are the only filmmakers on the list.

In December, he, Jeffrey Katzenberg and David Geffen sold DreamWorks SKG to Paramount Pictures Corporation for $1.6 billion.

Once screened Lawrence of Arabia (1962) with director David Lean, who gave Spielberg a “live director’s commentary”, as Spielberg put it. Spielberg said that it was one of the best moments of his life, learning from a true master. Consequently, Spielberg stated that it helped him make better pictures and that commentary directly influenced every movie he has made since.

His ten favourite films of all time are: Fantasia (1940); Citizen Kane (1941); A Guy Named Joe (1943); It’s a Wonderful Life (1946); The War of the Worlds (1953); Psycho (1960); Lawrence of Arabia (1962); 2001: A Space Odyssey (1968); The Godfather (1972) and La nuit américaine (1973).

Has an estimated fortune of $2.8 billion ($2,800,000,000), according to the “Los Angeles Business Journal”. The size of his fortune him the 14th richest person in the Los Angeles area and likely the wealthiest producer-director in the world (with only his friend George Lucas coming close).

His iconic character “E.T.” from E.T.: The Extra-Terrestrial (1982) is ranked #26 on Premiere Magazine’s 100 Greatest Movie Characters of All Time.

Is the most represented filmmaker on the American Film Institute’s 100 Most Inspiring Movies of All Time, with five films on the list and three in the top ten. They are: Close Encounters of the Third Kind (1977) at #58; The Color Purple (1985) at #51; Saving Private Ryan (1998) at #10; E.T.: The Extra-Terrestrial (1982) at #6 and Schindler’s List (1993) at #3.

Ranked #6 in the Power Rankings and #1 in the Money Rankings on Forbes’ 2006 Celebrity 100 List, with earnings of $332 million. Most of those earnings were from the 2005 sale of DreamWorks to Paramount Pictures.

Ranked #4 on Premiere’s 2006 “Power 50″ list. Had ranked #2 in 2005.

Interviewed in “Directors Close Up: Interviews with Directors Nominated for Best Film by the Directors Guild of America”, ed. by Jeremy Kagan, Scarecrow Press, 2006.

In 1996, he purchased Clark Gable’s Oscar (which he won for It Happened One Night (1934)) to protect it from further commercial exploitation and gave it back to the Academy of Motion Picture Arts and Sciences, commenting that he could think of “no better sanctuary for Gable’s only Oscar than the Motion Picture Academy”.

On 14 December 2002 he bought Bette Davis’ Oscar, which she won for Dangerous (1935), at a Sotheby’s auction in New York to return it to the Academy of Motion Picture Arts and Sciences. The statuette was among the memorabilia sold by the Planet Hollywood restaurant chain, which has emerged from bankruptcy protection.

On 19 July 2001 he purchased Bette Davis’ Oscar statuette, which she won for Jezebel (1938), at a Christie’s auction and returned it to the Academy of Motion Picture Arts and Sciences.

Early in his career, while working for Universal Studios, he was asked to give a tour to a special guest who had just sold the film rights to one of his books to the studio. That guest was Michael Crichton, who later worked with Spielberg on Jurassic Park (1993).

Both live-action adaptations of “The Incredible Hulk” have references to his films. The first used stock footage from Duel (1971) (TV). In the 2003 film by Ang Lee (Hulk (2003)), the impact of the Hulk hitting the ground causes ripples to form in nearby bodies of water, just as the Tyrannosaur does in Jurassic Park (1993).

Though he frequently works with Tom Hanks, Hanks is not, as of 2006, involved in Spielberg’s biopic about Abraham Lincoln, even though he is descended from the family of Lincoln’s mother, Nancy Hanks.

Owns one of the largest gun collections on the East Coast. He shoots, but only privately.

Awarded Kennedy Center Honors in 2006, with Dolly Parton, Smokey Robinson, Zubin Mehta, and Andrew Lloyd Webber.

According to Teri Garr, Spielberg told her on a set that one of his favorite movies is Viva Las Vegas (1964), starring Elvis Presley.

Is of Hungarian descent, which explains his surname, coming from the Austrian city where his ancestors lived.

Considered directing Memoirs of a Geisha (2005).

He, George Lucas and Francis Ford Coppola presented Martin Scorsese with his first ever award for Best Director, for The Departed (2006).

Is a huge fan of the actors Steve Martin, Bill Murray and Robin Williams. He is also proud to admit they are good friends of his.

Was offered the opportunity to direct California Split (1974), but job went to Robert Altman.

Was originally set to direct Cape Fear (1991). He later recommended Martin Scorsese for the job and personally called the director, letting him know that this was a commercial film that had potential to be a hit, which would exercise more power for Scorcese to make his films.

Attended the funeral of Princess Diana with friends Richard Attenborough, Tom Cruise, Nicole Kidman and Tom Hanks. [September 6, 1997]

Went to the same college, CSULB as Frank Miranda.

Was originally in talks to direct The Mask of Zorro (1998) but later only produced it.

Burt Reynolds film “White Lightning” (1973) was originally slated to be Spielberg’s first theatrical feature and he spent months on pre-production.

Robbie Williams mentions him in his song “I Will Talk and Hollywood Will Listen”.

2007- Ranked #2 on EW’s The 50 Smartest People in Hollywood.

Is a fan of “Doctor Who” (1963).

In 2007, Forbes estimated his earnings for the year 2006 to be $110 million.

Is a fan of video games and says that their development is intriguing to him.

His dog Elmer starred in several of his films including Jaws (1975) and Close Encounters of the Third Kind (1977).

Owns homes in Pacific Palisades, California; New York City; East Hampton, New York; and Naples, Florida.

Pulled out of his role as advisor to the 2008 Beijing Olympics, reacting to the Chinese government’s inaction over the genocide in Darfur (February 2008).

Is a fan of the works of Carl Barks, and cites them as a big inspiration on his storytelling.

Dated actress Valerie Bertinelli in the late ’70s.

Turned down the opportunity to direct Deep Impact (1998) and The Mask of Zorro (1998) to work on Saving Private Ryan (1998).

Steven Spielberg receiveing Philadelphia'’s 2009 Liberty Medal

Served on the Board for the Institute for the Study of Women in Men in Society for USC. Hosted events for the intellectual society at his screening room and offices on the Universal lot in the late 1980s.

In the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 8 of Spielberg’s films are listed: Jaws (1975), Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982), The Color Purple (1985), Jurassic Park (1993), Schindler’s List (1993) and Saving Private Ryan (1998).

When Spielberg accepted the Cecil B. DeMille award at the 66th Annual Golden Globe Awards he expressed his gratitude to DeMille for helping him come to love filmmaking in the first place, describing his earliest childhood memory of going to see DeMille’s The Greatest Show on Earth (1952) with his father. “I think my fate was probably sealed that day in 1952″, he said, recalling how the train wreck scene in that film inspired first a keen interest in electric train sets and eventually his passion for film.

Is an excellent shot with a shotgun. Actor Shia LaBeouf once said about his shooting, “He’s an Olympic shot. The hand-eye co-ordination of that man is unlike anything I’ve ever seen. If he weren’t a great director, he could be one of our greatest snipers”.

Worked with both father and son Brolin actors. He worked with James Brolin in Catch Me If You Can (2002), and Josh Brolin in The Goonies (1985) and “Into the West” (2005).

Is one of 7 directors to win the Golden Globe, Director’s Guild, BAFTA, and Oscar for the same movie, winning for Schindler’s List (1993). The other directors to achieve this are ‘Mike Nichols (I)’ for The Graduate (1967), Milos Forman for One Flew Over the Cuckoo’s Nest (1975), Richard Attenborough for Gandhi (1982), Oliver Stone for Platoon (1986), Ang Lee for Brokeback Mountain (2005), and Danny Boyle for Slumdog Millionaire (2008).

  

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Journey to the Center of the Earth released Dec. 16, 1959

Posted by GoreMaster Special Effects on December 16, 2009

Journey to the Center of the Earth is a 1959 adventure film adapted by Charles Brackett from the novel by Jules Verne. It stars Pat Boone, James Mason, Arlene Dahl, Peter Ronson, Diane Baker, Thayer David, Alan Napier, and Gertrude the Duck. It was directed by Henry Levin.

This film is also known as Trip to the Center of the Earth.

An Edinburgh professor is intrigued by a strange rock given to him by one of his pupils. Uncovering its secret leads him and a few other hardy individuals to a dangerous journey that may have no return.

The film is notable for its special effects. It was nominated for three Academy Awards for Best Art Direction-Set Decoration (Lyle R. Wheeler, Franz Bachelin, Herman A. Blumenthal, Walter M. Scott, Joseph Kish), Best Effects, Special Effects and Best Sound. It won a second place Golden Laurel award for Top Action Drama in 1960.

Directed by
  Henry Levin

Writers
  Novel “Voyage au centre de la Terre”
   Jules Verne
  Screenplay
   Walter Reisch and
   Charles Brackett

Producer
  Charles Brackett 

Cast
  Pat Boone … Alexander ‘Alec’ McKuen
  James Mason … Sir Oliver S. Lindenbrook
  Arlene Dahl … Carla Göteborg
  Diane Baker … Jenny Lindenbrook
  Thayer David … Count Saknussem
  Peter Ronson … Hans Belker
  Robert Adler … Groom
  Alan Napier … Dean

Make Up Department
  Ben Nye … makeup artist
  Helen Turpin … hair stylist

Visual Effects Department
  L.B. Abbott … special photographic effects
  James B. Gordon … special photographic effects
  Emil Kosa Jr. … special photographic effects

James Mason, Pat Boone, Arlene Dahl, Peter Ronson in Henry Levin's 1959 version of 'Journey to the Center of the Earth.'

Trivia
Fox gave the green light to this big-budget CinemaScope production partially on the basis of the success of the recent Jules Verne adaptations, Walt Disney’s 20000 Leagues Under the Sea and Michael Todd’s Around the World in Eighty Days. As with those earlier films, the heavy cost proved to be a good investment, resulting in a big hit at the box office.

James Mason replaced an ailing Clifton Webb in the part of Professor Lindenbrook before filming began. Alexander Scourby started shooting at Carlsbad Caverns in the Count Saknussem role, but the producers were unhappy with him and he was replaced with Thayer David.

James Mason reportedly had very little patience with the “movie star” preening of Arlene Dahl and the relationship between the two off set was very much like what you see on screen.

Pat Boone didn’t want to make this film but was talked into it by his agent. Years later he stated he’s glad he did it because of the regular residual checks it brings in and because it’s the movie he’ll probably be best remembered for.

The professor’s name in the original novel (French language) was Otto Lidenbrock, a German. In the movie it was changed to Oliver Lindenbrook, a Scotchman. The name of his assistant Axel was Caledonized into Alec. (This was done because of historical hindsight, as 19th-century Scots had become known as the best field geologists, with Germans preferring lab-bound geology.) A more drastic change had already been made with the first (anonymous) English translation of the novel when the Professor’s surname became Hartwig and Axel became an English student named Henry Lawson.

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Thunderbirds Are Go! released December 15, 1966

Posted by GoreMaster Special Effects on December 15, 2009

Thunderbirds Are Go is a British science fiction-adventure motion picture released in 1966. It was the first film based on Gerry and Sylvia Anderson’s popular Supermarionation television series Thunderbirds, and followed the first manned mission to Mars.

Trivia:

  • The top 60s pop group Cliff Richard and the Shadows “appear” in this film in puppet form, Portrayed as future versions of themselves. They perform two songs: “Lady Penelope”, an instrumental, and “Shooting Star”, accompanying Cliff Richard
  • The first feature film to be shot using the Livingston Electronic Viewfinder Unit, also known as Add-a-Vision. This was basically an electronic viewfinder that could be used in conjunction with a Mitchell BNC Camera to take a television picture directly from the camera, enabling the staff of the entire unit to watch any scene being filmed on the television monitors.
  • Although very distinctly different, the appearances of both Scott Tracy and Paul Travers were based on Sean Connery by their respective modellers.
  • Jeff calculates that as it is 11am on Tracy Island, it is 4pm in England and, indeed, Lady Penelope is just sitting down to tea. Unless the world’s time zones have changed by 2067, this puts Tracy Island somewhere just off the coast of Chile or Peru.
  • Because Panavision cameras couldn’t cope with special effects (at the time), a scope camera was still needed for filming, so Techniscope was used instead. This would also be used in the filming of Thunderbird 6 (1968).
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    Dune released December 14, 1984

    Posted by GoreMaster Special Effects on December 14, 2009

    Dune is a 1984 science fiction film written and directed by David Lynch, based on the 1965 Frank Herbert novel of the same name. The film stars Kyle MacLachlan as Paul Atreides, and includes an ensemble of well-known American and European actors in supporting roles, including Sting, Jose Ferrer, Sean Young, Virginia Madsen, Linda Hunt, Patrick Stewart, Max von Sydow, Siân Phillips and Jürgen Prochnow, among others. It was filmed at the Churubusco Studios in Mexico City and included a soundtrack by the band Toto. As in the novel, the central plot concerns a young man foretold in prophecy as the “Kwisatz Haderach” who will protect the titular desert planet from the malevolent House Harkonnen and save the universe from evil.

    After the success of the novel, attempts to adapt Dune for a film began as early as 1971. A lengthy process of development hell followed throughout the 1970s, during which Arthur P. Jacobs, Alejandro Jodorowsky, and Ridley Scott, all tried to bring their vision to the screen. In 1981, David Lynch was hired as director by executive producer Dino De Laurentiis.

    The film was not well received by critics and performed poorly at the American box office at the time. Upon its release, director David Lynch distanced himself from the project, stating that pressure from both producers and financiers restrained his artistic control and denied him final cut.

    Fans of the Dune series are polarized by the movie, although the film has become a cult favorite, and at least three different versions have been released worldwide. In some cuts of the film Lynch’s name is replaced in the credits with the name of a fictional director Alan Smithee, a pseudonym used by directors who wish not to be associated with a film for which they would normally be credited.

    Trivia:

    • Ridley Scott worked on bringing the film to the screen, but was unsuccessful. H.R. Giger (who worked with Scott on Alien (1979)) was hired as a production designer.
    • The inspiration for the design of the stillsuits was the medical textbook “Gray’s Anatomy”.
    • Two hundred workers spent two months hand-clearing three square miles of Mexican desert for location shooting.
    • One scene called for Duke Leto (Jürgen Prochnow) to be strapped to a black stretcher and drugged. During one take, a high-powered bulb positioned above Prochnow exploded due to heat, raining down molten glass. Remarkably, Prochnow was able to free himself from the stretcher, moments before glass fused itself to the place he had been strapped. During the filming of the dream sequence, the Baron (Kenneth McMillan) approached Leto, who had special apparatus attached to his face so that green smoke would emerge from his cheek when the Baron scratched it. Although thoroughly tested, the smoke gave Prochnow first and second degree burns on his cheek. This sequence appears on film in the released version.
    • The tendons visible when Paul hooks the worm were made from condoms.
    • Some special effects scenes were filmed with over a million watts of lighting, drawing 11,000 amps.
    • Some scenes were filmed in the same location and at the same time as scenes from Conan the Destroyer (1984).
    • Number of production crew came to a total of 1,700. Dune required 80 sets built upon 16 sound stages. More than 6 years in the making, it required David Lynch’s work for three and a half years.
    • David Lynch disowned the television cut.
    • Director David Lynch and producer Raffaella De Laurentiis arranged a screen test in New York with Sean Young for the role of Chani. Young’s agent never told Young about the meeting, and she was in fact booked on a flight that evening to Los Angeles. Lynch and De Laurentiis missed their flight back to Los Angeles, and ended up catching the same plane as Young. During the flight, De Laurentiis noticed Young and told Lynch, “I bet that girl’s an actress.” A stewardess told the pair that her name was “Sean Young”, and De Laurentiis confronted Young about standing him and Lynch up. The misunderstanding sorted out, the three ended up drinking champagne and reading the script together upon returning to Los Angeles.
    • John Hurt was offered the part of Dr Yueh.
    • The name “Judas Booth” that appears as the screenwriter in the extended TV cut, is a combination of Judas, the apostle that betrayed Jesus Christ, and John Wilkes Booth, Abraham Lincoln’s killer. With this in-joke, David Lynch meant that the studio betrayed him and killed the film. The director’s credit is the usual in these cases Alan Smithee.
    • Patrick Stewart replaced Aldo Ray.
    • It took two weeks to film Max von Sydow’s role.
    • During the film’s original release, “cheatsheets” explaining much of the movie’s setting and its more obscure vocabulary were handed out to moviegoers at some theatres.
    • The first movie to feature a computer-generated human form, for the bodyshields.
    • The theatrical version of this film is the only version of Dune, including the novel and the miniseries, where Thufir Hawat survives. A scene of Thufir’s death was filmed, but was cut.
    • Original director Ridley Scott left the production after his older brother suddenly passed away. Scott wanted to start working as soon as possible, but Dune would take far to long to reach production. Scott decided to leave the project in favor of Blade Runner (1982), which was ready to start production immediately.
    • Feyd-Rautha and The Beast Rabban are men of very few words: as the latter, Paul L. Smith speaks only 34 of them during the entire movie; as the former, ‘Sting’ says a mere 90. And that’s in the three-hour version of the film.
    • Glenn Close turned down the role of Lady Jessica, not wanting to play “the girl who is always running and falling down behind the men”.
    • David Lynch was originally signed to do two sequels to this film. The box office failure insured that the plans never came to fruition.
    • Patrick Stewart said the stillsuit was the most uncomfortable costume he had ever worn.
    • David Lynch has said he considers this film the only real failure of his career. To this day, he refuses to talk about the production in great detail, and has refused numerous offers to work on a special edition DVD. Lynch claims revisiting the film would be too painful an experience to endure.
    • Cameo: [Michael Bolton] One of the drummers shown during Paul and Feyd’s duel.
    • David Lynch turned down the chance to direct Star Wars: Episode VI – Return of the Jedi (1983) to direct Dune (1984).
    • Alejandro Jodorowsky had originally planned on filming Dune in the early-’70s, and had enlisted the help of Jean Giraud and H.R. Giger to create the movie’s visual style. Salvador Dalí was enlisted to play the part of the Emperor, and Jodorowsky also intended to cast his own son Brontis Jodorowsky as Paul, David Carradine as Duke Leto, Orson Welles as the Baron, and Gloria Swanson as the Benne Geserit Reverend Mother. The soundtrack was to be done by Pink Floyd. According to Jodorowsky, “The project was sabotaged in Hollywood. It was French and not American. Their message was ‘not Hollywood enough’. There was intrigue, plunder. The storyboard was circulated among all the big studios. Later, the visual aspect of Star Wars (1977) strangely resembled our style. To make Alien (1979), they called Moebius [Giraud], Foss, Giger, O’Bannon, etc. The project signaled to Americans the possibility of making a big show of science-fiction films, outside of the scientific rigor of 2001: A Space Odyssey (1968). The project of Dune changed our lives.” Jodorowsky also planned on making numerous changes to the source material, including making Duke Leto a eunuch and the spice a blue sponge. Author Frank Herbert openly despised these concepts.
    • Director Cameo: [David Lynch] A radio operator on the mining ship that Paul and Duke Leto Atreides rescue from a sandworm.
    • The musical instrument played by Patrick Stewart, the “baliset”, is actually a Chapman Stick, an electric guitar and bass created in the ’70s by ‘Emmett Chapman’, who plays the music we hear.
    • While shooting on location in Mexico, filming came to a near-halt when most of the cast and crew came down with “Montezuma’s Revenge.” The studio had to build a full cafeteria large enough to accommodate the entire cast and crew for every meal, as well as import all the food from the United States to keep the film on schedule.
    • Virginia Madsen replaced Anne-Louise Lambert.
    • According to the biography ‘Five Easy Decades’, Jack Nicholson at one point in the late 1970s considered directing Dune, but decided that it would be too much of an undertaking.
    • It was first intended to the shoot all the studio material in the UK. But all of the three big studios were totally full.
    • Patrick Stewart played Claudius in Hamlet, Prince of Denmark (1980) (TV), a role that Kyle MacLachlan played in Hamlet (2000). Francesca Annis played Hamlet’s mother Gertrude in a theatrical production. Appropriately, she was cast as Jessica in this film when the role was declined by Glenn Close, who played Gertrude in Hamlet (1990/I).
    • Gurney Halleck gives two quotations that are from the Old Testament of the Bible- Job 24:5 and Habbakkuk 1:9 – The first “Behold, as a wild ass in the desert go I forth to my work” – which he says as they arrive on Arrakis, Job 24:5. And “They shall come all for violence: their faces shall sup as the east wind. And they shall gather the captivity of the sand.” – Habbakkuk 1:9.
    • The movie alludes strongly to bible stories; such as, most strongly, the story of Moses.
    • Jodie Foster auditioned for the role of Princess Irulan.
    • Kim Basinger, Melanie Griffith, Michelle Pfeiffer, Meg Ryan, Jennifer Jason Leigh, Kristy McNichol, Tatum O’Neal, Bridget Fonda and Sarah Jessica Parker all were considered to play Princess Irulan.
    • Brooke Shields tested for the role of Princess Irulan but failed the audition.
    • Christopher Reeve auditioned for the role of Paul Atreides.
    • Jack Nicholson was offered the role of Gurney Halleck, but turned it down.
    • Dexter Fletcher was very seriously considered for Paul .
    • The cast of this film includes many connections to Star Trek. Dean Stockwell has appeared on “Enterprise” (2001), Brad Dourif on “Star Trek: The Next Generation” (1987), and of course Patrick Stewart played Cpt. Jean-Luc Picard. José Ferrer’s son Miguel Ferrer played a helmsman in Star Trek III: The Search for Spock (1984). Star Trek: First Contact (1996) also featured Alice Krige, who played Jessica in “Children of Dune” (2003).
    • Patrick Stewart has said in interviews that every cast member lost two scenes to cut made in editing.
    • David Lynch (13 January 2006) : “Dune I didn’t have final cut on. It’s the only film I’ve made where I didn’t have, I didn’t technically have final cut on The Elephant Man (1980) but Mel Brooks gave it to me, and on Dune the film, I started selling out even in the script phase knowing I didn’t have final cut, and I sold out, so it was a slow dying- the-death and a terrible terrible experience. I don’t know how it happened, I trusted that it would work out but it was very naive and, the wrong move. In those days the maximum length they figured I could have is two hours and seventeen minutes, and that’s what the film is, so they wouldn’t lose a screening a day, so once again it’s money talking and not for the film at all and so it was like compacted and it hurt it, it hurt it. There is no other version. There’s more stuff, but even that is putrefied.”

      

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    The Towering Inferno released December 14, 1974

    Posted by GoreMaster Special Effects on December 14, 2009

    The Towering Inferno is a 1974 disaster film produced by Irwin Allen featuring an all-star cast led by Steve McQueen and Paul Newman. The film was adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson, and was directed by John Guillermin, with Allen himself directing the action sequences.

    Trivia:

    • Many bit players from The Poseidon Adventure (1972) also appear in this film
    • Based on two novels: “The Tower” by Richard Martin Stern, and “The Glass Inferno” by Thomas N. Scortia and Frank M. Robinson. After the success of The Poseidon Adventure (1972), disaster was hot property and Warner Brothers bought the rights to film “The Tower” for $390,000. Eight weeks later Irwin Allen (of 20th Century Fox) discovered “The Glass Inferno” and bought the rights for $400,000. To avoid two similar films competing at the box office the two studios joined forces and pooled their resources, each paying half the production costs. In return, 20th Century Fox got the US box office receipts and Warners the receipts from the rest of the world.
    • Scriptwriter Stirling Silliphant combined the two novels to create one screenplay. The combined three words that make up the titles of the two novels were combined to give the name of the film, and the name of the building that is on fire (The Glass Tower).
    • Screenwriter Stirling Silliphant took seven main figures from each novel and incorporated them into the screenplay, as well as the major climax of each novel: the lifeline rescue to an adjacent rooftop from “The Tower”, and the exploding water tanks from “The Glass Inferno”.
    • At Steve McQueen’s insistence, he and co-star Paul Newman had to have exactly the same number of lines of dialogue in the script
    • Irwin Allen originally wanted Steve McQueen to play the part of building architect Doug Roberts. McQueen however, fought for and got the role of fire chief O’Halloran. The role of Doug Roberts went to Paul Newman.
    • Paul Newman and Steve McQueen were both paid the same: $1 million and 7.5% of box office each.
    • Paul Newman’s and Steve McQueen’s names are staggered in the opening credits, closing credits, and on the posters so that, depending on which way you read it (top to bottom or left to right), both appear to get top billing. This is known as “diagonal billing”, This strategy was being worked on when Newman and McQueen almost co-starred together in Butch Cassidy and the Sundance Kid (1969), but McQueen eventually dropped out of the project and was replaced by the lesser known Robert Redford.
    • Steve McQueen and Faye Dunaway left strict instructions that they should not be approached by visitors to the set. McQueen also refused to give any interviews. Paul Newman asked only that he not be “surprised”.
    • This film marked the first ever joint production by two big-name movie companies; Warner Bros. and 20th Century Fox.
    • Principal photography was completed on Sept. 11th 1974.
    • An instrumental version of the song “The Morning After” from The Poseidon Adventure (1972) can be heard in the background in certain scenes.
    • Desperate to capture a truly surprised reaction from the cast, Irwin Allen actually fired a handgun into the ceiling without warning the actors, who were understandably “surprised”. The trick worked and he got his shot.
    • In an interview given years after the film was released, writer Stirling Silliphant said that he always sat under a sprinkler system head when visiting a building. He said he did that because he learned it from a fireman he interviewed while researching this project.
    • Both novels were inspired by the construction of the World Trade Center in the early-1970s, and what could happen in fire in a skyscraper. In Richard Martin Stern’s novel, “The Tower”, the fictional 140-floor building was set next to the north tower of the World Trade Center. The climax of the novel was centered around a rescue mounted from the north tower of the World Trade Center.
    • The role of Lisolette Mueller (as played by Jennifer Jones) was originally offered to Olivia de Havilland.
    • Jennifer Jones’s final film to date (2008).
    • Steve McQueen did most of his stunts for the film, including having 7,000 gallons of water dumped on him in the climactic final attempt to put out the fire.
    • During filming an actual fire broke out on one of the sets and Steve McQueen found himself briefly helping real firemen put it out. One of the firemen, not recognizing McQueen, said to the actor, “My wife is not going to believe this.” To this McQueen replied, “Neither is mine.”
    • The fancy “blinkenlights” computer which runs the Glass Tower is, in fact, composed of parts leftover from an obsolete Air Force system which, in the 1960s and ’70s, protected the US from Soviet bomber attack. The computer was named AN/FSQ-7, and about a dozen of them were installed around the US. Based on vacuum tube technology, the ‘Q-7 in action took up the whole first floor of a “bomb-proof” concrete blockhouse, and generated as much raw heat as five single-family houses. The whole system became obsolete when missiles replaced manned bombers as the main threat. In the film, only the main control and maintenance consoles are used. As an ironic afterthought, the only reliable source today of vacuum tubes is the former Soviet Union.
    • Paul Newman did most of his own stunts, including climbing up and down the bent stairwell railing.
    • Of the 57 sets built for the production, only eight remained standing when filming ended.
    • The building used in the film was a series of miniatures and matte paintings. Only sections of the building were actually constructed for the actors and stunt people to perform their scenes. Exterior shots of the building were of San Francisco’s Hyatt Rejency with an additional 50 stories of matte paintings added.
    • In the original script the role of the fire chief (known at the time as Mario Infantino) was considerably smaller. According to director John Guillermin, the role was offered to Ernest Borgnine with Steve McQueen playing the architect. McQueen later said, “If somebody of my caliber can play the architect, I’ll play the fire chief,” and Paul Newman was brought onto the project as the architect.
    • According to Esther Williams in her memoirs, she was personally contacted by Irwin Allen and offered roles in both this film and The Poseidon Adventure (1972), but declined both.
    • Irwin Allen directed all the action sequences in the film, including the climactic final explosions to put the fire out.
    • The HH-1N helicopters are in the original paint scheme used by NAS Lemoore’s Search and Rescue Flight. Later on, they were painted Red and White. Up until the unit’s disbandment in 2004, the Flight was still pointing out it was their helicopters used in the movie.
    • For years, during the 80′s and 90′s, this is the movie Swedish TV used to show on New Years Eve, just after midnight.
    • The scenic elevator is actually one of two in the Hyatt Regency Hotel in San Francisco. This elevator was used in numerous movies including Time After Time (1979).
    • At first Irwin Allen did not want to use music at the first 5 minutes of the Helicopter Sequence. John Williams told Allen that he could come up with 5 minutes of music for the beginning. When Allen heard it, he agreed with Williams.
    • The large sculpture that is part of the bar design in the Promenade Room was originally used in the Harmonia Gardens set in Hello, Dolly! (1969).
    • The First Interstate Tower in downtown Los Angeles was completed the same year this film was released (1974). 14 years later, in May of 1988, the FI Tower experienced a real-life fire which burned out 4 1/2 floors , ruined many floors above with smoke and floors below with water, and closed the building for almost five months. The fire happened late at night, when only a few dozen people were in the building, and no crowds, traffic or other demands on water hampered firefighters. Only one death occurred, when someone used an over-ride key to force an elevator to the floor where the fire had started, and perished much as was shown happening to elevator riders in the film. The Los Angeles Herald ran side-by-side photos of the actual fire and the fire from The Towering Inferno on its front page the following day. The story of the real fire was told in the TV film Fire: Trapped on the 37th Floor (1991) (TV).
    • The upper 15 floors of The Glass Tower was built as a facade in the dirt parking lot of the 20th Century Fox Ranch in Malibu, California, including drapes for all the windows and an explosion hole at the outside elevator track. It remained standing in the same location for many years, even after the state of California bought the land and opened the ranch to the public.
    • Natalie Wood turned down a leading role, citing the script as “mediocre”

     

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    The Poseidon Adventure released December 13, 1972

    Posted by GoreMaster Special Effects on December 13, 2009

    The Poseidon Adventure is a 1972 American action-adventure disaster film based on a novel by Paul Gallico. It concerns the capsizing of a luxurious ocean liner by a tsunami caused by an under sea earthquake and the desperate struggles of a handful of survivors to journey up to the bottom of the hull of the liner before it sinks.

    It won the Academy Award for Best Song for “The Song from ‘The Poseidon Adventure’” (also known as “The Morning After”), which became a hit single for Maureen McGovern, as well as winning an Academy Award for Special Achievement in Visual Effects. Shelley Winters was also nominated for an Academy Award as Best Supporting Actress for her role in the film, and won the Golden Globe Award for Best Supporting Actress in a film for the role. The cast of the film includes five past Academy Award winners – Winters, Gene Hackman, Jack Albertson, Red Buttons and Ernest Borgnine. Parts of the movie were filmed aboard the RMS Queen Mary.

    The plot centers upon the fictional ocean liner SS Poseidon, an aged luxury ship from the golden age of travel, on its final voyage from New York City to Athens before being sent to the scrapyard. On New Year’s Day, it is overturned by a tsunami caused by an underwater earthquake. Passengers and crew are trapped inside and a rebellious preacher attempts to lead a small group of survivors to safety.

    A huge box office success, it was the second highest grossing film of 1972, behind The Godfather. The success of this film is in the vein of other all-star disaster films in the 1970s such as Airport (1970) and later films like The Towering Inferno (1974), and Earthquake (1974). A sequel, Beyond the Poseidon Adventure (1979), had an equally star-studded cast, but was a box-office and critical failure. The film was remade twice, first as a television special in 2005 with the same name, and a theatrical release with the name Poseidon in 2006.

     Cast
      Gene Hackman … Reverend Scott
      Ernest Borgnine … Det. Lt. Mike Rogo
      Red Buttons … Martin
      Carol Lynley … Nonnie
      Roddy McDowall … Acres
      Stella Stevens … Linda Rogo
      Shelley Winters … Belle Rosen
      Jack Albertson … Manny Rosen
      Pamela Sue Martin … Susan

    Trivia:

    • Most of the external shots of the Poseidon were shot using a model built from the original blueprints of the Queen Mary. The model is on display at the Los Angeles Maritime Museum at the Los Angeles harbor. The real Queen Mary is located just a few miles away in Long Beach.
    • Shot in sequence, taking advantage of the fact that the principals became dirtier and more tattered and

      Pamela Sue Martin

      suffered injuries – some real and some artificial – as they progressed.

    • Some of the pre-capsize sequences were shot aboard the Queen Mary, including the opening storm sequence, the pre-disaster scenes in the staterooms and hallways, the scenes above decks, and an early scene in the engine room.
    • In the scene in which Rev. Scott rescues Robin, the set was built on tracks which would slowly lower the inclined set into a large water tank. The set was supposed to stop moving once the set was half-submerged, but for some reason it continued until the camera crew was underwater. The film magazine was rushed to the lab, where immediate processing showed the film was undamaged.
    • The original script called for Rev. Scott to send Mrs. Rosen on her underwater mission, and for her to be trapped and need rescuing by him. Gene Hackman decided that his character would never ask her to do this, and suggested their characters’ situations be reversed. Director Ronald Neame agreed, and they persuaded Shelley Winters that this was indeed better for her character.
    • The set for the banquet hall was designed so that very few objects needed to be moved from the floor to the ceiling (and vice versa); the columns along the walls were identical at the top and bottom, and the wall decorations were all removable.
    • Part of the set was built on a hydraulic system which would raise it to a 45° angle, and camera tricks were used to suggest more severe angles.
    • An ending scene showing rescue boats surrounding the sinking ship was planned, but the budget ran out. The shot of the helicopter lifting off the hull was done on the studio lot, looking upward to avoid seeing the surrounding buildings.

    • Except for the most dangerous sequences, all of the stunts were done by the actors themselves. All the actors at one point complained to the production staff about how difficult the shoot was physically.
    • Shelley Winters gained 35 pounds for the part of Belle Rosen.
    • Filming was delayed twice because of the cost, and finally began only when Irwin Allen and outside backers matched the investment of Twentieth Century Fox. Reportedly, Allen found those backers by walking across the street from the Fox lot to a country club, where he found some friends playing cards. During the card game, they agreed to back the film. Because the studio never spent any of the backer’s money, the backers made a profit from the success of the film without actually spending a dime.
    • Shelley Winters trained with an Olympic swim coach so that her character, who is a former award-winning swimmer, would come across more realistically in the underwater scenes.
    • Paul Gallico was inspired to write his novel by a voyage he made on the Queen Mary. When he was having breakfast in the dining room, the liner was hit by a large wave, sending people and furniture crashing to the other side of the vessel. He was further inspired by a true incident which occurred aboard the Queen Mary during World War II. Packed with American troops bound for Europe, the ship was struck by a gargantuan freak wave in the North Atlantic. It was calculated that if the ship had rolled another five inches, she would have capsized like the Poseidon.
    • Sally Kellerman was originally offered the role of Linda Rogo.

      Stella Stevens

    • Petula Clark was originally offered the role of Nonnie Parry.
    • After the cable telegram is delivered to the Shelby stateroom, Robin jumps off the bed, inadvertently capsizing his plastic model of the S.S. Poseidon.
    • Such mid-ocean “rogue waves” were previously thought to occur only once every ten thousand years. A 2004 study of satellite radar images showed they can happen as often as hundreds of times every decade.
    • The role of James Martin was originally to go to Gene Wilder. Scheduling forced him to turn the role down.
    • Milton Berle’s brother was an extra in the dining room.
    • Red Buttons and Carol Lynley, whose characters fall in love in the movie, actually disliked each other intensely. They refused to have anything to do with each other except when the cameras were rolling.
    • The boots and pendant that Carol Lynley wears in the film actually came from her own private collection.
    • The sequence where Nonnie (Carol Lynley) rehearses “The Morning After” with her band mates was the first scene to be filmed. Originally Waddy Wachtel (the guitarist) was to be cast as her brother Teddy, but as Wachtel had brown eyes and Lynley was blue-eyed, drummer Stuart Perry was cast as Nonnie’s brother.
    • In her autobiography Esther Williams claims she was offered the role of Belle Rosen by producer Irwin Allen because of her former swimming roles (though this remains open to debate, as the character of Belle Rosen called for a large woman).
    • In the scene where Rev. Frank Scott is giving his sermon on the deck, actress Pamela Sue Martin is wearing a white and yellow poncho that was actually made for actress Rosemary Forsyth who wore it in City Beneath the Sea (1971) (TV), the TV-film that Irwin Allen produced the year before.
    • 125 stunt people were used during the filming. No one was killed or injured.
    • Contains five Academy Award winning actors – Gene Hackman, Ernest Borgnine, Shelley Winters, Jack Albertson and Red Buttons.
    • The song “The Morning After” is credited on screen as “The Song From The Poseidon Adventure”.
    • The film received 8 competitive nominations and was awarded a non-competitive Special Achievement Oscar (Visual Effects).

     

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    Star Trek: The Motion Picture released Dec. 7, 1979

    Posted by GoreMaster Special Effects on December 7, 2009

    Star Trek: The Motion Picture is a 1979 science fiction film released by Paramount Pictures. It is the first film based on the Star Trek television series. When a mysterious and immensely powerful alien cloud called V’ger approaches Earth, destroying everything in its path, Admiral James T. Kirk (William Shatner) assumes command of his old starship—the USS Enterprise—to lead it on a mission to save the planet and determine V’ger’s origins.

    When the original television series was cancelled in 1969, Star Trek creator Gene Roddenberry lobbied Paramount to continue the franchise through a film. The success of the series in syndication convinced the studio to begin work on a feature film in 1975. A series of writers attempted to craft a suitably epic script, but the attempts did not satisfy Paramount, so the studio scrapped the project in 1977. Paramount instead planned on returning the franchise to its roots with a new television series, Star Trek: Phase II. The box office success of Close Encounters of the Third Kind convinced Paramount that science fiction films other than Star Wars could do well at the box office, so the studio canceled production of Phase II and resumed its attempts at making a Star Trek film. In 1978, Paramount assembled the largest press conference held at the studio since the 1950s to announce that Academy Award–winning director Robert Wise would helm a $15 million film adaptation of the television series.

    With the cancellation of the new television series, the writers rushed to adapt the planned pilot episode of Phase II, “In Thy Image,” into a film script. Constant revisions to the story meant that new versions of the shooting script were distributed hourly. The Enterprise was completely redesigned inside and out; costume designer Robert Fletcher provided new uniforms and production designer Harold Michelson fabricated new sets. Jerry Goldsmith composed the score, beginning an association with Star Trek that would continue until 2002. When the original contractors for the optical effects proved unable to complete their tasks in time, effects supervisor Douglas Trumbull was given carte blanche to meet the December 1979 release date. The film came together only days before the premiere; Wise took the just-completed film to its Washington, D.C., opening, but always felt that the theatrical version was a rough cut of the film he wanted to make.

    Released in North America on December 7, 1979, Star Trek: The Motion Picture received mixed reviews from critics, many of whom criticized the film for its lack of action and over-reliance on special effects. The final production cost ballooned to approximately $46 million. The film earned $139 million worldwide, falling short of studio expectations but enough for Paramount to propose a cheaper sequel. Roddenberry was forced out of creative control for Star Trek II: The Wrath of Khan. In 2001, Wise created a director’s cut for a special DVD release of the film; a team remastered the audio, tightened and added scenes, and used new computer-generated effects to complete his vision.

    Directed by Robert Wise

    Star Trek The Motion Picture Cast

    Writers
      Television series Star Trek
       Gene Roddenberry
      Story
       Alan Dean Foster
      Screenplay
       Harold Livingston

    Producers
      David C. Fein … producer (2001 director’s edition)
      Jon Povill … associate producer
      Gene Roddenberry … producer

    Cast
      William Shatner … Admiral James T. Kirk
      Leonard Nimoy … Mr. Spock
      DeForest Kelley … Dr. Leonard ‘Bones’ McCoy
      James Doohan … Cmdr. Montgomery ‘Scotty’ Scott
      George Takei … Lt. Cmdr. Hikaru Sulu
      Majel Barrett … Dr. Christine Chapel
      Walter Koenig … Lt. Pavel Chekov
      Nichelle Nichols … Lt. Cmdr. Uhura
      Persis Khambatta … Lt. Ilia
      Stephen Collins … Cmdr. Willard Decker
      Grace Lee Whitney … CPO Janice Rand
      Mark Lenard … Klingon Captain
      Billy Van Zandt … Alien Boy
      Roger Aaron Brown … Epsilon Technician
      Gary Faga … Airlock Technician
      David Gautreaux … Cmdr. Branch
      John D. Gowans … Assistant to Rand
      Howard Itzkowitz … Cargo Deck Ensign
      Jon Rashad Kamal … Cmdr. Sonak
      Marcy Lafferty … Chief DiFalco
      Michele Ameen Billy … Lieutenant
      Jeri McBride … Technician
      Terrence O’Connor … Chief Ross
      Michael Rougas … Lt. Cleary
      Susan J. Sullivan … Vice-Adm. Lori Ciana

    Plot

    A Starfleet monitoring station detects an alien force hidden in a massive cloud of energy moving through space towards Earth. The cloud destroys three Klingon warships and the monitoring station en route. On Earth, the starship Enterprise is undergoing a major refit; its former commander, James T. Kirk, has been promoted to Admiral and works in San Francisco as Chief of Starfleet Operations. Starfleet dispatches the Enterprise to investigate the cloud entity as the ship is the only one in intercept range, requiring its new systems to be tested in transit.

    Persis Khambatta

    Kirk takes command of the ship citing his experience, angering Captain Willard Decker, who had been overseeing the refit as its new commanding officer. Testing of Enterprise’s new systems goes poorly; two officers, including the science officer, are killed by a malfunctioning transporter, and improperly calibrated engines almost destroy the ship. The tension between Kirk and Decker increases when the admiral demonstrates his unfamiliarity with Enterprise. Spock arrives as replacement science officer, explaining that while on his home world undergoing a ritual to purge all emotion, he felt a consciousness that he believes emanates from the cloud.

    The Enterprise intercepts the energy cloud and is heavily damaged by an alien vessel. A probe appears on the bridge, attacks Spock and abducts the navigator, Ilia. She is replaced by a robotic doppelgänger, a probe sent by “V’ger” to study the crew. Decker is distraught over the loss of Ilia, with whom he had a romantic history. He becomes troubled as he attempts to extract information from the doppelgänger, which has Ilia’s memories and feelings buried within. Spock takes a spacewalk to the alien vessel’s surface and attempts a telepathic mind meld with it. In doing so, he learns that the vessel is V’ger itself, a living machine.

    At the heart of the massive ship, V’ger is revealed to be Voyager 6, a 20th-century Earth space probe believed lost. The damaged probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. The machines upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. Spock realizes that V’ger lacks the ability to give itself a focus other than its original mission; having learned what it could on its journey home, it finds its existence empty and without purpose. Before transmitting all its information, V’ger insists that the Creator come in person to finish the sequence. Realizing that the machine wants to merge with its creator, Decker offers himself to V’ger; he merges with the Ilia probe and V’ger, creating a new form of life that disappears into another dimension. With Earth saved, Kirk directs the Enterprise out to space for future missions.

    Trivia
    Viewing Spock’s mind meld with V’Ger frame by frame shows images of the Klingons, Ilia, Epsilon IX, and the Voyager VI space probe.

    Paramount then announced that they would be creating a new TV network, initially operating one night a week showing Paramount TV-movies and a new “Star Trek” series about the Enterprise’s second 5-year mission, with most of the original cast and the title “Star Trek Phase II”. It soon became clear that they could not make a go of the new network, but Paramount continued work on the new series in the hope of selling it to one of the existing networks.

    For a previous unproduced TV series of his called “Genesis II”, Gene Roddenberry had created a story he called “Robot’s Return”. This was now rewritten for “Star Trek” by Alan Dean Foster under the title “In Thy Image”, and proposed as the two-hour premiere episode of “Star Trek Phase II”. However, Paramount executive ‘Michael Eisner’ responded, “We’ve been looking for the feature for five years and this is it”, and made the final decision to forget the new series and produce the story as a movie.

    The decision was made in August 1977, but in order to keep the team together during the necessary renegotiation of contracts, Paramount kept it secret until March 1978; when Rona Barrett broke the secret in December 1977, they denied it. Meanwhile, they pretended that the TV series was still going to happen, even soliciting scripts for episodes that would never be made. Sets built for the TV series were used in the movie, but modelwork had to be redone after the changeover was made public, due to the need for finer detailing in a movie.

    Director Robert E. Collins, whose background was mostly in television, was hired to direct the two-hour premiere, but after the change to a movie, Paramount wanted a more experienced director and replaced him with Robert Wise.

    Gene Roddenberry wanted Alan Dean Foster to write the final script for the film, but Harold Livingston thought him too inexperienced and tried to hire Steven Bochco, who was unavailable; Michael Cimino, who wasn’t interested; and Bill L. Norton, who initially accepted but found it beyond his capabilities. In the end Livingston did the job himself. He disagreed repeatedly with Roddenberry over rewrites and other matters, and quit and returned several times.

    The TV series was to have three new regular characters. Paramount was concerned that William Shatner might ask for too much money to continue playing Kirk if the run of the series was extended beyond the initial order of 13 episodes; the character of Decker was created so that if Kirk had to be written out, Decker could become the series’ new lead role. Decker was played in the movie by Stephen Collins.

    Leonard Nimoy declined to return as Spock for the series, so a new Vulcan character called Lieutenant Xon was created to be the new science officer. An employee of an agent was dating a young actor, David Gautreaux, who had no agent of his own; she suggested him for the part and he got it, then was told that it was actually for a movie. When Nimoy finally agreed to do the movie, Spock replaced Xon in the script and Gautreaux was given the smaller part of Commander Branch.

    The character of Lieutenant Ilia, played by Persis Khambatta, was also intended as a continuing role in the TV series.

    The original version of the “Space Walk” sequence had both Spock and Captain Kirk travelling through V’ger. Because it complicated the flow of the film, the scene was reshot with Spock alone, and that’s what’s seen in the final cut. However, a fraction of this alternate scene remains in the longer version, where Kirk says, “I have him in sight”.

    The V’ger prop was so large and involved so much work that one end of it was being used in scenes while the other end was still being built.

    In the scene where Kirk addresses the crew prior to launching, much of the crew were extras who were noted Star Trek fans, including Bjo Trimble, co-organizer of the letter-writing campaign that kept the original Star Trek alive for a third season.

    It was understood in the script, but not in the film, that Commander Willard Decker was the son of Commodore Matthew Decker, the half-crazed starship captain who committed suicide in the Star Trek episode ‘The Doomsday Machine’.

    Jerry Goldsmith’s Academy Award-nominated score featured a special musical instrument called the ‘Blaster Beam’, an instrument 15 feet long, incorporating artillery shell casings and motorized magnets. It was used as part of any scene featuring V’ger. The instrument was invented by former child star turned New Age musician Craig Hundley who, in his youth, had portrayed Captain Kirk’s nephew, Peter Kirk, in the Star Trek episode, ‘Operation – Annihilate!’. He appeared in another episode as Tommy Starnes in ‘And the Children Shall Lead’.

    Gene Roddenberry so loved the main theme from the score that he reused it for Star Trek: The Next Generation.

    The voice of actress Majel Barrett (who plays Dr. Christine Chapel and was Gene Roddenberry’s wife) was used for Star Fleet computers such as that of the Enterprise throughout the “Star Trek” franchise, from the original Star Trek series through to the Star Trek reimagining. Her voice in this picture is already very recognizable although she doesn’t have a lot of lines.

    Because of the need to re-build sets and models when the production switched from a television series to a big-budget feature film, the production was already ten weeks behind schedule before a single frame was shot. Director Robert Wise repeatedly considered quitting the production, and at one point even suggested that Paramount cancel the project altogether.

    Robert Wise was convinced to accept the position as director by his wife, who was a huge fan of the original Star Trek television series. His wife was also instrumental in convincing Wise to campaign for Leonard Nimoy’s return to the project.

    Prior to production, Gene Roddenberry joked that he wanted Richard Burton for the role of Kirk and Robert Redford to play Spock. The joke was reported as fact by some media. The role of Decker wasn’t cast until days before production started. Actors considered included: Andrew Robinson – who later played Elim Garak on Star Trek: Deep Space Nine), Jordan Clarke, ‘Richard Kelton (I)’, Lance Henriksen, Tim Thomerson, ‘Stephen Macht (I)’, Art Hindle and Frederic Forrest.

    This film marked the first appearance of the ridged-forehead Klingons. In the original TV series Gene Roddenberry wanted the Klingons to look alien, but budget constraints prevented this from being done beyond giving the actors dark mark-up and fake eyebrows. The change in the Klingons’ appearance was partially addressed in the Star Trek: Deep Space Nine episode, ‘Trials and Tribble-ations’, establishing the existence of smooth-forehead Klingons. However, ridged-forehead Klingons appeared in the prequel series Star Trek: Enterprise prompting a satisfactory explanation to the brief existence of smooth-forehead Klingons. The episodes ‘Affliction’ and ‘Divergence’ showed their existence resulted from a viral mutation caused by Klingon experimentation with enhanced human DNA.

    The original TV series theme by Alexander Courage can be heard briefly during Kirk’s log entry after Spock rejoins the crew. It can also be heard during two more “Captain’s Log” dictations. Except for the opening fanfare which became a regular part of later Trek films and a small excerpt heard at the end of Star Trek III: The Search for Spock, and a significant reference toward the end of Star Trek IV: The Voyage Home, this is the only time in the film series that the television theme is heard in a major fashion.

    Marcy Lafferty, who plays DiFalco, was married to William Shatner at the time.

    In the DVD making of documentary, William Shatner says that at the time they were filming, there was no clear end to the film and that the writers were constantly re-writing the ending. He recalls that at one point he came up with what he considered a good ending and pitched it to co-star Leonard Nimoy who thought it was a good idea. They then went together to Robert Wise to pitch the idea to him. Wise also liked the idea. Now Shatner had to pitch it to Gene Roddenberry. Shatner claims that by the time he pitched the ending to Roddenberry that he was so exhausted from mustering up the energy to pitch the idea (in addition to the energy he use to work on the film) that his pitch didn’t go over so well and Gene Roddenberry rejected it. In his book “Star Trek Movie Memories” (1994), Shatner recalls the story differently: the scene in question is the one in which the Enterprise crew starts to leave the bridge in order to show the Ilia/Probe it is acting like a little child. When Roddenberry rejected it, Robert Wize got Harold Livingston to write the scene instead.

    James Doohan’s twin sons, Montgomery Doohan and Christopher Doohan, appear as extras in the movie.

    Uhura’s communications earpieces are the only original props from the original TV series. They were dug out of storage when it was realized someone had forgotten to make new ones for the movie.

    Persis Khambatta became very emotional about having her head shaved for her role. She kept her shorn hair in a box for a time and asked Gene Roddenberry to take out insurance in case her hair didn’t grow back. It did.

    The Klingon words spoken by the Klingon ship’s captain were actually invented by actor James Doohan (Commander Scott). Later, linguist Marc Okrand devised grammar and syntax rules for the language, along with more vocabulary words in Star Trek III: The Search for Spock, and wrote a Klingon dictionary.

    All of the extras in the rec-deck briefing sequence were Star Trek fans called upon to appear in the film. Most of their checks were not cashed; Harve Bennett said that they were probably framed as souvenirs by the fans.

    Post-production went on right up until the day before the film’s world premiere. Because time was so short, all the prints of the film were shipped “wet” – fresh from the duplication lab – and were airlifted directly out from a warehouse on the Paramount lot as they were assembled. Rewrites took place daily during filming, most of them on the order of William Shatner or Leonard Nimoy dropping lines that were superfluous (“My character wouldn’t say that”, etc). The logistics of the very end of the film – Decker merging with V’Ger – was devised more or less on the spot.

    When Spock mindmelds with the giant Ilia, a number of images are reflected across his spacesuit’s visor. Viewing the sequence in slow motion, you can see pictures foreshadowing V’ger’s identity.

    Among the extras in the crew briefing sequence was writer David Gerrold, who had created the Tribbles for the original Star Trek series.

    Many story ideas were considered during the early planning stages, including the Enterprise meeting God, preventing Kennedy’s assassination, becoming the Greek Titans, and trying to prevent a black hole from swallowing the galaxy. The Enterprise meeting God was used for Star Trek V: The Final Frontier, while preventing the Kennedy assassination was briefly reconsidered for Star Trek IV: The Voyage Home before it was rejected again.

    Gene Roddenberry had asked his wife Majel Barrett – Christine Chapel – if she would don fur and a tail to “reprise” the role of Lieutenant M’Ress from the animated Star Trek. She refused.

    For the DVD release, the producers toyed with the idea of digitally inserting a shot of the NX-01 Enterprise (Jonathan Archer’s ship from the prequel series Star Trek: Enterprise) into the rec room scene where Decker shows Ilia a display of previous ships named Enterprise. The idea was eventually dropped, possibly since the shot would not be able to be seen clearly anyway (the pictures were not easily legible onscreen). The NX-01 would have replaced the shot of the ‘ringed’ S.S. Enterprise – which eventually appeared on “Enterprise” anyway (in the bar scene in the episode “First Flight”).

    Leonard Nimoy agreed to appear in the film only after Paramount agreed to a settlement of his lawsuit against them for allowing his TV series likeness to be used by advertisers.

    The producers and the cast were very worried about their appearance after being away from Star Trek for ten years. Special lighting and camera tricks were used to hide the cast’s aging, and William Shatner went on a near-starvation diet prior to filming. However, in all subsequent Star Trek movies it was decided to make the aging of the crew part of the story.

    WILHELM SCREAM: In Engineering when Enterprise is attacked by the V’GER blast (“Special Edition” only), and in the transporter chamber, when Commanders Sonak and Ciani lose their patterns from its malfunction.

    So far, this film still has the longest running time of any Star Trek movie. In fact, until the release of Star Trek this was the only one to break the two-hour mark.

    Jerry Goldsmith’s famous theme for the movie almost didn’t happen. One of the first scenes Goldsmith scored was the scene when Kirk and Scotty do a flyover of the refit Enterprise. Robert Wise liked the music that Goldsmith composed, but in the end, he rejected it, saying it didn’t fit the movie because it lacked a theme/motif. Goldsmith went back to the drawing board and composed the famous theme that has become a staple of the Star Trek universe.

    James Doohan also devised the Vulcan words heard during the Kolinahr sequence. The scenes were originally shot in English, and when it was decided to change the dialogue to Vulcan, Doohan wrote lines that fit the existing lip movements. Some of the subtitles were rearranged to make this less obvious.

    Orson Welles narrated trailers for the film.

    After the original Star Trek TV series proved a success in syndication, Paramount became interested in making a “Star Trek” movie. Writers who contributed ideas or draft scripts in 1975-77 included Gene Roddenberry, Jon Povill, Robert Silverberg, John D.F. Black, Harlan Ellison, Theodore Sturgeon, and Ray Bradbury. A story called “Star Trek: Planet of Titans” was selected; Chris Bryant and Allan Scott wrote a script, which was then rewritten by Philip Kaufman. At this point Star Wars: Episode IV – A New Hope burst upon the world, and Paramount reacted by canceling “Star Trek: Planet of Titans” before pre-production started. Allegedly they thought there wasn’t a sufficient market for another big science-fiction film.

    Visual effects supervisor Douglas Trumbull claims that although the models built for the film were quite large, they were in fact not large enough to facilitate shooting many of the desired camera angles. The production had to commission a special periscope lens system from Panavision which allowed the shots to be accomplished. To achieve maximum depth-of-field, many of the shots also required very long exposure times of up to several minutes per frame.

    The images of the interior of the V’ger cloud were created using airbrush paintings. Led by animation supervisor Alison Yerxa, a team of animators created thousands of air-brushings using white paint on black paper. These were then photographed, made into transparencies, and used as positive and negative masks on a special multi-plane animation camera. Color tints were then added using filters during the optical composting process. The sequence was inspired by a Canadian documentary called Universe, which visual effects supervisor Douglas Trumbull had seen during the making of 2001: A Space Odyssey.

    At one time, according to the Guinness Book of Records, this was the most expensive film ever made with a total production cost of US$46 million.

    Some of the clothing worn by the aliens in the movie (seen at Starfleet Headquarters) was made from unused bolts of cloth left over from The Ten Commandments

    Director Robert Wise’s wife, Millicent, is also part of the crew in the Rec Room scene. She can be seen in front, close to David Gerrold.

    In the DVD “making-of” documentary, there is archival behind the scenes footage of tests for make-up, costumes, and sets. Among the footage shown is an early screen test for Persis Khambatta as Lieutenant Ilia. In the test, she is wearing a female uniform from the original TV series: A gold one-piece mini-skirt dress with a Lieutenant stripe, black pantyhose, and black boots. This is due to the fact that it was her screen test for the aborted “Star Trek – Phase II” series, which was going to re-use the “Original Series” costume designs.

    The amazing popularity of Star Wars: Episode IV – A New Hope had a definite impact on the storyline, pacing and even marketing of Star Trek: The Motion Picture. Many hardcore sci-fi fans (including prominent sci-fi writers) viewed Star Wars as mere fantasy, an updating of Buck Rogers/Flash Gordon level matinee fluff. Gene Roddenberry always saw Star Trek as a more serious endeavor, and did not want Star Trek: The Motion Picture to be seen as “cashing in”. So the story for Star Trek: The Motion Picture was pushed toward more sophisticated and complex ideas, the decision was made to have no battle scenes of any type. In fact, the earliest Presskit promotional material for newspaper ads had as the main line, “There Is No Comparison”.

    Almost all of the dialogue in the Enterprise bridge scenes had to be overdubbed by the actors in post-production. This was due to the fact that the animation/graphics seen on the bridge station display monitors was projected from behind the bridge set walls by dozens of 16 mm projectors (one for each display screen), as computer technology was not advanced enough at the time to use real computer monitors on a practical basis. As a result, the clattering sound of the noisy projectors nearly drowned out the voices of the actors, and their dialogue had to be dubbed over later at considerable added time and expense.

    Just before the Epsilon IX station is destroyed by V’Ger, Cmdr. Branch (David Gautreaux) mentions that the size of the V’Ger cloud is “My God – over 82 AUs in diameter”. For comparative purposes, the distance between Earth and the Sun is 1 AU (short for “Astronomical Unit”) and the distance between the Sun and Pluto ranges between 30-40 AUs, which would mean the V’Ger cloud could theoretically encompass the entire Solar System! In the Director’s Cut, the line is altered by skillful sound editing, making the size of the cloud only “over 2 AU’s in diameter” – Wise perhaps (Wisely) decided 82 AUs was just too much.

    For the Director’s Cut, Robert Wise received permission and a budget to complete the film as he had originally intended. Several special effects scenes, that could not be finished in 1979 due to time and budget constraints, were redone, sometimes with the use of the original models. A completely original model of V’Ger, as it appeared when the surrounding clouds had dissipated, was based on the cross-sectional reading of the ship that appeared on a screen in the movie. A computerized “model” of the Enterprise was created, using the original physical model as reference, to create new CGI shots.

    When Spock travels through V’ger and sees all the incredible imagery, Darth Vader and Miss Piggy can be seen. It comes right after his line “Who or what are we dealing with?”. There are not actual photos of the two characters in this sequence. What you are actually seeing is an overhead perspective of the Epsilon IX station. The “Vader” mask is the antenna relays and the “Miss Piggy” snout is most likely the command tower. There are no actual photos of either of the characters.

    Had this movie aired as a two-hour TV series premiere as intended, the episode title would have been “In Thy Image.”

    Marvel Comics did a three-issue adaptation of this movie to kick-off their new Star Trek comic series. It was a good adaptation of this movie, except that they used the Memory Wall sequence instead of the Spock Walk sequence. It appears that they were using the original script as the basis for their adaptation and didn’t know the Memory Wall scene had been scrapped.

    Another theory put forth on the Star Trek convention circuit as to the new look of the Klingons, was that any Klingon personnel that were expected to have any contact with human or other human-like races,(such as any posting near the neutral zone or for diplomatic missions,) were surgically altered to more easily blend in. That is why all the original series Klingons were “ridgeless.” Supposedly, according to the Star Trek rumor mill, by the time the motion picture came out, the story line says that the Klingons had abandoned this practice because they realized that their physical alterations made little difference with regards to how they were perceived.

    The story of Star Trek: The Motion Picture is basically the same as “The Changeling” episode from the original series. In the episode, an Earth probe (Nomad) is merged with alien technology and goes on a murderous rampage destroying that which is not “perfect.”

    In this movie, Mark Lenard plays a Klingon ship captain; this is the third alien species in the Star Trek franchise that the actor played – the first was the Romulan commander the Original Series episode “Balance of Terror,” then a recurring role as Spock’s father, Vulcan Ambassador Sarek.

    The first time in the Star Trek canon that Yeoman Rand and Chekov have appeared together.

    -Source(s) IMDB, Wikipedia

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    Flash Gordon released December 5, 1980

    Posted by GoreMaster Special Effects on December 5, 2009

    Flash Gordon is a 1980 science fiction film, based on the eponymous comic strip character Flash Gordon. The film was directed by Mike Hodges and produced by Dino De Laurentiis. It stars Sam J. Jones, Melody Anderson, Chaim Topol, Max von Sydow, Timothy Dalton, Brian Blessed and Ornella Muti. The screenplay was written by Michael Allin and Lorenzo Semple, Jr. It intentionally uses a camp style similar to the 1960s TV series Batman (for which Semple had written many episodes) in an attempt to appeal to fans of the original comics and serial films. The film is notable for its soundtrack composed by rock band Queen.

    Melody Anderson

    Trivia:

    • There is a rumor that the monitor behind Hans Zarkov (Topol) as he is having his memory dumped shows scenes from Topol’s previous movies.
    • Dino De Laurentiis originally hoped that Federico Fellini would direct this film. The director had actually contributed to the original Flash strip cartoon during WWII.
    • Kurt Russell auditioned to play Flash Gordon.
    • Sam J. Jones was cast in the role after being spotted by the mother-in-law of Dino De Laurentiis on an episode of “The Dating Game” (1965)
    • At one point Ming the Merciless says when he destroys a planet, he calls upon “the great god Daizan”. Daizan is Japanese for “great cruelty”.
    • Max von Sydow’s Ming costume weighed over 70 pounds and he could only stand in it for a few minutes at a time.
    • The psychedelic color effects throughout the Ming universe were accomplished by swirling multicolored dyes through creatively-lit tanks of water.
    • One of the feast items in the Hawkmen’s Kingdom was Twinkies colored with food dye.
    • Nicolas Roeg was originally going to direct, but didn’t due to creative difference. One of his proposals was to excise the trademark cliffhangers and melodrama, seeing Flash as more of “a metaphysical messiah.”
    • Dennis Hopper was considered for the role of Dr Zarkov.
    • Leon Greene was re-voiced by David de Keyser.
    • John Osborne only has two lines.
    • Mike Hodges was the eighth director chosen.
    • Director Mike Hodges, referring to the numerous production problems that plagued the film, once called it “the only improvised $27-million movie ever made”.
    • The insignia on Klytus’s uniform is based on Masonic symbols.
    • Princess Aura’s “pet” is named Fellini. Production Designer Danilo Donati worked on a number of Federico Fellini films.
    • George Lucas had hoped to remake the original Flash Gordon (1936/I), but when he learned that Dino De Laurentiis had already bought the rights, he wrote Star Wars (1977) instead.
    • Mike Hodges considered commissioning Pink Floyd to compose the music.
    • First film of Jim Carter.
    • The backstory of Flash’s T-shirt was that it was a gift from an anonymous female fan. Flash wore it a lot in the hopes that he would eventually meet the woman.
    • In the original script, when Flash is sentenced to death by Ming, Dale bursts out that Ming is “absolutely merciless”. Ming is enthralled with the description, and immediately starts calling himself “Ming the Merciless”.
    • According to the original storyline, when Dale is entranced by Ming’s hypnotic ring, she is having a vision of being on an erotic picnic with Ming in a 1920′s setting.
    • Klytus and Kala, Ming’s two chief henchmen, were competitors for their ruler’s favor. Ming played them off against each other to keep them from teaming up against him. This was downplayed in the film to keep the storyline fluid.
    • In the original script, Flash and Dale first meet at a Canadian resort called Dark Harbor. Although they flirt with each other, they don’t become acquainted until they’re sharing the ill-fated plane ride to New York City. Dale later talks briefly about Dark Harbor during her tear-filled meeting with Flash before his execution.
    • Dr. Zarkov’s backstory was that he was a NASA scientist who was fired for his paranoid fantasies that Earth was going to be attacked from outer space. Sixty Minutes derided him as “A Poor Man’s Billy Mitchell”.
    • Ming’s attack on Earth was accomplished by bombarding the moon with force beams, knocking it out of orbit. The meteors which disrupt Flash’s airplane flight were burning chunks of lunar debris.
    • Sam J. Jones’ dark hair was bleached blonde for this role, and Melody Anderson’s blonde hair was dyed brown. Flash was also supposed to have blue eyes, but Sam could not wear the contact lenses.
    • Ming’s symbol (which Klytus also wears on his gauntlets) is borrowed from the Freemason’s square and compass. Ming also makes a Masonic gesture during the course of the movie.
    • The wristwatch Flash is wearing in the early scenes of the film is a Seiko automatic chronograph, model 6139-6002. The watch disappears when Flash gets to Mongo.
    • All the main actors were signed for multiple films but the sequels were never made since the first movie didn’t do as well as expected.

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