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Invasion of the Body Snatchers released December 20, 1978

Posted by GoreMaster Special Effects on December 20, 2009

 

 

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Invasion of the Body Snatchers is a 1978 science fiction film based on the novel The Body Snatchers by Jack Finney.

Trivia:

  • At the beginning of the film, as the alien spores rain down on earth, you see them presumably landing on the Transamerica Pyramid in San Francisco – the headquarters of what was then the parent company of United Artists, which produced the film.
  • Cameo: ['Don Siegel (I)'] taxi driver. Siegel directed the original film, of which this film is a remake.
  • Cameo: [Kevin McCarthy] man asking for help. McCarthy was the star of the original film, of which this film is a remake.
  • Cameo: ['Robert Duvall (I)'] the priest on the swing.
  • According to the commentary on the DVD, director Philip Kaufman said they paid ‘Robert Duvall (I)’ by giving him an Eddie Bauer jacket.
  • Director Cameo: [Philip Kaufman] playing an impatient man rapping on the window of a phone booth occupied by Donald Sutherland.
  • Silence is heard as the end credits roll as there was no end title music composed or recorded for the film.
  • Elizabeth’s nude scene in the factory was also filmed with clothes. That was seen when the film debuted on ABC in 1980.
  • Donald Sutherland insisted on performing his own stunts in the film’s climax. His scenes at the pod factory were filmed without harnesses or nets. In the shot of a fireball erupting from the factory, Sutherland barely missed it. However, an extra missed his cue and was seriously injured from the explosion.
  • Among the sounds Ben Burtt used for the pod growing scene, the heartbeat came from an ultrasound recorded on his pregnant wife. The pod screams were recorded pig squeals. Additionally, the natural diegetic sounds (crickets, birds chirping) fade as the film progresses, until only mechanical sounds (sirens, the garbage trucks) are heard.
  • Donald Sutherland was hit by a Volkswagen beetle while filming a shot of Matthew and Elizabeth running. He fell onto the windshield and was able to see the driver saying “Oh, my God! Not you!”
  • Matthew’s story/joke goes as follows. The British are trapped in the Sahara and are surrounded by the Germans. One day, an officer makes an announcement: “I have good news and bad news. The bad news is, we have no food but camel poop. The good news is, there is plenty of it.”
  • While rehearsing Kevin McCarthy’s cameo, a naked homeless man recognized him and said “The first one was better”.
  • Cameo: [Cinematographer Michael Chapman] janitor at the Health Department. Appears when Elizabeth cries in Matthew’s arms and later when they sneak into the building.
  • During the taxi ride, Donald Sutherland and Brooke Adams’ nervousness is genuine. Don Siegel had lost much of his vision and was driving through the dark streets of San Francisco without his glasses.

 

Posted in Horror, Mystery, Sci-fi, Science Fiction, Thriller | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Don’t Open Till Christmas released December 19, 1984

Posted by GoreMaster Special Effects on December 19, 2009

Don’t Open Till Christmas is a 1984 British horror film starring Edmund Purdom, Alan Lake, Belinda Mayne and Mark Jones.  Directed by Edmund Purdom.

Trivia

  • The film took almost two years to complete after original director Edmund Purdom quit the job and Derek Ford took over but was fired after two days. The distributors then hired Ray Selfe to complete the direction and Al McGoohan to rewrite parts of the script, including the original ending and the London Dungeon sequence, and much of the footage was completely re-filmed.
  • Although the character of Dr Bridle (played by Nicholas Donnelly) is referred to in the script he has never appeared in any print of the movie. Due to the films many production difficulties his scenes were probably filmed but deleted.
  • Posted in Horror, Mystery, Thriller | Leave a Comment »

    Ghost Story released December 18, 1981

    Posted by GoreMaster Special Effects on December 18, 2009

    Ghost Story is a 1981 American horror film based on the book of the same name by Peter Straub. It is directed by John Irvin and it stars Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman and Craig Wasson (in a dual role). It was the last film to feature Astaire, Fairbanks, and Douglas, and the first film to feature Michael O’Neill.

    Directed by
      John Irvin

    Writers
      Lawrence D. Cohen Writer
      Peter Straub Novel

    Producers
      Douglas Green … co-producer
      Ronald G. Smith … associate producer
      Burt Weissbourd … producer

    Cast
      Fred Astaire … Ricky Hawthorne
      Melvyn Douglas … Dr. John Jaffrey
      Douglas Fairbanks Jr. … Edward Charles Wanderley
      John Houseman … Sears James
      Craig Wasson … Don Wanderley/David Wanderley
      Patricia Neal … Stella Hawthorne
      Alice Krige … Eva Galli/Alma Mobley
      Jacqueline Brookes … Milly
      Miguel Fernandes … Gregory Bate
      Lance Holcomb … Fenny Bate
      Mark Chamberlin … Young Jaffrey
      Tim Choate … Young Hawthorne
      Kurt Johnson … Young Wanderley
      Ken Olin … Young James

    Make Up Department
      Irving Buchman … makeup artist
      Albert Jeyte … makeup artist
      Robert Jiras … makeup artist
      Philip Leto … hair stylist
      Rick Sharp … makeup artist
      Dick Smith … special makeup

    Special Effects Department
      Henry Millar Jr. … special effects

    Visual Effects Department
      Syd Dutton … matte artist
      Dennis Glouner … matte photography
      Bill Taylor … matte photography
      Albert Whitlock … special visual effects
      Henry Schoessler … matte crew

    Trivia:

     

    • The last feature film for veteran actors Melvyn Douglas, Fred Astaire, and Douglas Fairbanks Jr..
    • Melvyn Douglas (Dr. John Jaffery) is actually mentioned in the novel on which the movie is based.
    • Fred Astaire (Ricky Hawthorne) is actually mentioned in the novel on which the movie is based.
    • Young Ricky Hawthorne says, “I can’t dance.” Old Ricky Hawthorne is played by Fred Astaire. This line wasn’t in the novel.
    • Searching for someone qualified to score a story dealing with elderly people, the production team was reminded of Le chat (1971), a French film about a bitter old couple spending time arguing. That’s how Philippe Sarde was hired and why some of the main theme of that precise film is repeatedly used in the score of “Ghost Story.”
    • Robin Curtis’ film debut.
    • The pipe organ used is the same organ that was used by Lon Chaney in The Phantom of the Opera (1925).
    • Interiors were constructed inside the abandoned Union Station, the former New York Central Railroad’s passenger train station on Broadway in Albany, NY and included a two story set. The murder or death scene was filmed on the second floor of that set. Scenes were filmed in sequence and the two story set was significantly aged after the death scene so that it later appeared as the derelict house. After the movie, the old station was refurbished and restored to its former grandeur and served as office space for Fleet Bank and now Bank of America.

    Posted in Action, Directors, drama, Horror, On this Date, Suspense, Thriller | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

    Steven Spielberg Birthday December 18

    Posted by GoreMaster Special Effects on December 18, 2009

    Steven Allan Spielberg, KBE (born December 18, 1946) is an American film director, screenwriter, and film producer. In a career spanning over four decades, Spielberg’s films have touched on many themes and genres. Spielberg’s early sci-fi and adventure films sometimes centering on children, were seen as an archetype of modern Hollywood blockbuster filmmaking. In later years his films began addressing such issues as The Holocaust, slavery, war and terrorism.

    Spielberg won the Academy Award for Best Director for 1993′s Schindler’s List and 1998′s Saving Private Ryan. Four of Spielberg’s films, Jaws (1975), Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), and Jurassic Park (1993), broke box office records, each becoming the highest-grossing film made at the time. To date, the unadjusted gross of all Spielberg-directed films exceeds $8.5 billion worldwide. Forbes magazine places Spielberg’s personal net worth at $3.0 billion. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the twentieth century, Life named him the most influential person of his generation.

     
     
     
     
     

    ET and Steven Spielberg

    Trademark:

    Uses powerful flashlights in dark scenes (Jurassic Park (1993); The Lost World: Jurassic Park (1997) and E.T.: The Extra-Terrestrial (1982)). The outline of the beam is often made visible through dust, mist, or fog.

    Frequently uses music by John Williams.

    Often shows shooting stars (Jaws (1975)).

    Onscreen performers staring, usually at something off camera.

    He often uses images of the sun (Raiders of the Lost Ark (1981), The Color Purple (1985), Empire of the Sun (1987), Saving Private Ryan (1998)).

    His films often show children in some sort of danger.

    Consistent references to World War II.

    Frequent references to Disney films, music, or theme parks.

    Frequently uses a piano as an element in key scenes (Schindler’s List (1993), Saving Private Ryan (1998), Minority Report (2002)).

    Important images, or characters, are often seen through the rear-view mirror of a car (Duel (1971) (TV), E.T.: The Extra-Terrestrial (1982), Jurassic Park (1993), Schindler’s List (1993), Artificial Intelligence: AI (2001)).

    Frequently casts Tom Hanks, Richard Dreyfuss, Harrison Ford, Frank Welker and Tom Cruise.

    Protagonists in his films often come from families with divorced parents, with fathers portrayed as reluctant, absent or irresponsible, most notably in _E.T.: the Extra-Terrestrial (1982)_ (Elliot’s mother is divorced and father is absent) and Catch Me If You Can (2002) (Frank Abagnale’s mother and father split early in the film). This reflects Spielberg’s own experience as a youth with his parents breaking up.

    A common theme in many of his films is ordinary people who discover something extraordinary – people, places, artifacts, creatures, etc. (Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982)).

    Since Raiders of the Lost Ark (1981), all of his movies have featured visual effects (even those that were undetected) by Industrial Light & Magic (ILM), the F/X house created by his friend George Lucas. The only exception has been The Terminal (2004), which had F/X work by Digital Imageworks.

    Is credited for starting the summer blockbuster tradition with 1975′s first $100 million megahit, Jaws (1975).

    Trivia:

    Member of Theta Chi Fraternity (Zeta Epsilon Chapter, Long Beach State University). One of his fraternity brothers was Roger Ernest.

    Received the Germany’s Cross of Merit with star for his sensible representation of Germany’s history in Schindler’s List (1993). [1998]

    Jonathan Norman was sentenced to 25 years to life, for stalking Spielberg and threatening to rape him. [June 1998]

    Chosen by Entertainment Weekly as the most powerful person in entertainment in 1997. [31 October 1997]

    American Film Institute Life Achievement Award. [1995]

    There are seven children in the Capshaw-Spielberg family: Theo Spielberg, who was adopted by Kate Capshaw before their marriage and later adopted by Spielberg, born in 1988, Sasha Spielberg, born on 14 May 1990, Sawyer Spielberg, born on 10 March 1992, their adopted daughter Mikaela George Spielberg, born on 28 February 1996, and Destry Allen Spielberg, born on 1 December 1996. Kate Capshaw’s daughter Jessica Capshaw, born in 1976, is from her previous marriage. Steven Spielberg’s son Max Spielberg, born in 1985, is from his previous marriage to Amy Irving.

    Amy Irving gave birth to his son Max Spielberg on 13 June 1985.

    He claims Richard Dreyfuss is his alter-ego.

    Attended California State University, Long Beach after being turned down by USC Cinema school twice.

    Attended Arcadia High School in Phoenix.

    Awarded second annual John Huston Award for Artists Rights by the Artists Rights Foundation. [1995]

    Co-founder (with Jeffrey Katzenberg and David Geffen) of DreamWorks SKG.

    He has one of the original Rosebud sleds from Citizen Kane (1941) in his house.

    Godfather of Drew Barrymore and Gwyneth Paltrow.

    Named Best Director of the 20th Century in an Entertainment Weekly on-line poll, substantially beating out runners-up Alfred Hitchcock and Stanley Kubrick. [September 1999]

    Born to Arnold Spielberg, a computer engineer, and Leah Adler, née Posner, a restaurateur and concert pianist.

    Received the Distinguished Public Service Award, the U. S. Navy’s highest civilian honor, on Veterans Day 1999 for his work on the movie Saving Private Ryan (1998).

    Sits on USC School of Cinema-Television’s Board of Councilors.

    When he was a child, he sneaked onto the lot of Universal Studios during a tour and befriended an editor who showed him a few things about filmmaking.

    Gwyneth Paltrow calls him Uncle Morty.

    During filming of their episode of “Night Gallery” (1970), Spielberg gave Joan Crawford the gift of a single red rose in a Pepsi bottle. During an on-set conversation with Detroit Free Press reporter Shirley Eder, Crawford pointed out Spielberg and said, “Go interview that kid, because he’s going to be the biggest director of all time!” Crawford and Spielberg remained good friends until her death in 1977.

    Awarded the honor of Knight of the Order of the British Empire (KBE) in New Years Honours 2001 by Queen Elizabeth II for his contribution to the British film industry. As a non-Commonwealth citizen, he will not be able to use the title. [December 2000]

    States that the work of David Lean has had a profound effect on his career.

    Spent five months developing the script for Rain Man (1988) with Ronald Bass, but had to commit to his handshake deal to direct Indiana Jones and the Last Crusade (1989). Spielberg gave all of his notes to Barry Levinson.

    Almost directed Big (1988) with Tom Hanks starring, but didn’t want to steal the thunder of his sister, Anne Spielberg, who co-wrote the script.

    Personally offered the American Beauty (1999) script to Sam Mendes, who ended up winning the Academy Award for Best Director on the film, which was Mendes’s debut feature.

    Flew Will Smith to his Hamptons home via helicopter to offer him the part in Men in Black (1997).

    Often casts new actors based on their performances in other works. Rarely does auditions for major roles.

    Was asked to approve use of the theme music from Jaws (1975) for Swingers (1996). When he saw a cut of the film, he saw Vince Vaughn, whom he chose to play Nick Van Owen in The Lost World: Jurassic Park (1997).

    He is an Eagle Scout and was on an advisory board for the Boy Scouts of America. He left this position because he did not agree with the fact that the Boy Scouts of America discriminated against homosexuals.

    Was directing a childbirth scene when he received a call that Amy Irving was giving birth to their son Max Spielberg.

    According to the 2001 issue of Forbes’ “400 Richest People In America,” Spielberg’s fortune is $2.1 billion.

    Was irked when footage from his movie Duel (1971) (TV) was used as stock footage in an episode of “The Incredible Hulk” (1978). But since Universal Studios owned the rights to both the The Incredible Hulk series and the film of Duel, taking legal action was not possible. However, he subsequently updated his contracts to include a clause that would protect his future material from being used as stock footage.

    On May 31, 2002, graduated from California State University Long Beach with a bachelor’s degree in film and electronic arts. He had dropped out of college in 1968 to concentrate on his career, but during the 2000s fulfilled his remaining graduation requirements via independent projects, which required correspondence courses and several term papers. For Spielberg, the school waived its requirement that all senior film majors must submit a completed 12-minute short film, accepting Schindler’s List (1993) in its place. He donned cap and gown and marched in the commencement ceremony with his fellow graduates.

    Received honorary doctor of humane letters degree from Yale University (27 May 2002).

    When Spielberg received his undergraduate degree (about 35 years after he had first entered college), the orchestra played the theme from the “Indiana Jones” series of films as he walked up to and across the stage.

    Owns the rights to the Stephen King novel “The Talisman”. As of 2002, the book has not been made into a film. He is now producing this film for release in 2007.

    His father served in World War II in South East Asian Front.

    Michael Kahn has edited all of Spielberg’s theatrical features since Close Encounters of the Third Kind (1977), their first collaboration. Kahn did not, however, edit E.T.: The Extra-Terrestrial (1982) because he was editing Poltergeist (1982). E.T.: The Extra-Terrestrial (1982) was edited by Carol Littleton.

    According to the 2002 edition of Forbes’ “400 Richest People in America,” his fortune is estimated at $2.2 billion, a $100 million improvement over the 2001 estimate.

    Ranked #1 in Premiere’s 2003 annual Hollywood Power List. It is the third time he received the top ranking (the others being in 1994 & 1995). He had ranked #6 in 2002.

    In Close Encounters of the Third Kind (1977), the humans and aliens use music and computers to communicate. Spielberg’s father was a computer scientist and his mother was a musician. This fact was only recently pointed out to him on “Inside the Actors Studio” (1994) by host James Lipton and he was unsurprisingly delighted when he realised the connection.

    Is set to produce a mini-series for HBO that will set out to debunk the legend of King Arthur and the Knights of the Round Table. The mini-series, written by David Leland, will focus on the historical reality of life in 500 A.D., when Arthur was thought to be King and will have no round table, Merlin, Lancelot, Excalibur, or knights. Camelot itself will be shown to have been a simple Roman fort and Arthur, named Artos in the film, will be portrayed as a humble blacksmith whose forging skills win him the English throne. It was expected to air sometime in 2004. [2003]

    The first film he directed that was not scored by John Williams was The Color Purple (1985), which was scored by Quincy Jones.

    Was voted the 11th Greatest Director of all time by Entertainment Weekly.

    In 1983, he lost the Best Picture Oscar to Gandhi (1982), directed by Richard Attenborough. He later went on to direct five cast members, as well as Attenborough, in his later movies: Amrish Puri in Indiana Jones and the Temple of Doom (1984); Roshan Seth in Indiana Jones and the Temple of Doom (1984); Richard Attenborough in Jurassic Park (1993); Ben Kingsley in Schindler’s List (1993), Nigel Hawthorne in Amistad (1997) and Martin Sheen in Catch Me If You Can (2002).

    Has worked with four actors from the Hannibal Lecter film series, in reverse order to the order in which the Lecter films came out. The first one he worked with was Ralph Fiennes in Schindler’s List (1993), who went on to play Francis Dollarhyde in Red Dragon (2002). His next film was The Lost World: Jurassic Park (1997), with Julianne Moore, who played Clarice Starling in the third Lecter film, Hannibal (2001). After this, he made Amistad (1997), with Anthony Hopkins, who began playing Hannibal Lecter in the second film, The Silence of the Lambs (1991). After this he made Saving Private Ryan (1998), which featured Dennis Farina, who played Jack Crawford in the original Lecter film, Manhunter (1986).

    When asked what are the films he’s made he would like to be remembered for, he said E.T.: The Extra-Terrestrial (1982) and Schindler’s List (1993).

    Although close friend, George Lucas, has vowed to only shoot future movies digitally, Spielberg has been the most vocal film-maker of the opposing view: to continue shooting all of his movies on film. Other directors siding with Spielberg include Martin Scorsese and Oliver Stone.

    According to his interview on the series “Inside the Actors Studio” (1994), his favorite curse word is “Rats!”

    To date, has never provided a director’s commentary on any of his films DVDs. [2004]

    In the 2004 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.6 billion, his highest showing yet. The only filmmaker ahead of him is his good friend George Lucas, whose worth is estimated at $3 billion.

    Described One Froggy Evening (1955) as “the most perfect cartoon ever made”.

    His longtime friend George Lucas originally wanted him to direct the third entry of the original Star Wars trilogy, Star Wars: Episode VI – Return of the Jedi (1983) and Spielberg was eager to do so, but Lucas was unsuccessful in getting him the job because of his dispute with the Director’s Guild at the time.

    When he used product placement in E.T.: The Extra-Terrestrial (1982), he used Reese’s Pieces only because M & M’s parent company didn’t want their product associated with aliens and UFOs.

    Directed nine actors in Oscar-nominated performances: Liam Neeson; Ralph Fiennes; Anthony Hopkins; Tom Hanks; Melinda Dillon; Whoopi Goldberg; Oprah Winfrey; Margaret Avery and Christopher Walken.

    Wrote a letter to Polish writer/director Mira Hamermesh in appreciation of one of her films.

    Graduated from Saratoga High School in Saratoga, California.

    Ranked #2 on Premiere’s 2005 Power 50 List, behind only Peter Jackson. Had the same ranking in 2004, behind Pixar bosses John Lasseter and Steve Jobs.

    Though he has directed 9 actors in Oscar-nominated performances, to date he has never directed an Oscar-winning performance.

    Ranked #1 in Empire (UK) magazine’s “The Greatest directors ever!” (2005).

    Has been Honorary Member of the Society of Operating Cameramen (SOC) since 1995 and received the Governors Award “for his contributions in the advancement of the use of the motion picture camera”.

    He has always been very protective of his name. If his company is working on a film and he feels it is not up to his standards, he will remove his name as a producer.

    Aside from producing The Goonies (1985), he also directed at least one scene in the movie.

    In the 2005 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.7 billion, a $100 million improvement over 2004 (due mostly to his share of the DreamWorks Animation public stock offering). He, and good friend George Lucas (net worth: $3.5 billion) are the only filmmakers on the list.

    In December, he, Jeffrey Katzenberg and David Geffen sold DreamWorks SKG to Paramount Pictures Corporation for $1.6 billion.

    Once screened Lawrence of Arabia (1962) with director David Lean, who gave Spielberg a “live director’s commentary”, as Spielberg put it. Spielberg said that it was one of the best moments of his life, learning from a true master. Consequently, Spielberg stated that it helped him make better pictures and that commentary directly influenced every movie he has made since.

    His ten favourite films of all time are: Fantasia (1940); Citizen Kane (1941); A Guy Named Joe (1943); It’s a Wonderful Life (1946); The War of the Worlds (1953); Psycho (1960); Lawrence of Arabia (1962); 2001: A Space Odyssey (1968); The Godfather (1972) and La nuit américaine (1973).

    Has an estimated fortune of $2.8 billion ($2,800,000,000), according to the “Los Angeles Business Journal”. The size of his fortune him the 14th richest person in the Los Angeles area and likely the wealthiest producer-director in the world (with only his friend George Lucas coming close).

    His iconic character “E.T.” from E.T.: The Extra-Terrestrial (1982) is ranked #26 on Premiere Magazine’s 100 Greatest Movie Characters of All Time.

    Is the most represented filmmaker on the American Film Institute’s 100 Most Inspiring Movies of All Time, with five films on the list and three in the top ten. They are: Close Encounters of the Third Kind (1977) at #58; The Color Purple (1985) at #51; Saving Private Ryan (1998) at #10; E.T.: The Extra-Terrestrial (1982) at #6 and Schindler’s List (1993) at #3.

    Ranked #6 in the Power Rankings and #1 in the Money Rankings on Forbes’ 2006 Celebrity 100 List, with earnings of $332 million. Most of those earnings were from the 2005 sale of DreamWorks to Paramount Pictures.

    Ranked #4 on Premiere’s 2006 “Power 50″ list. Had ranked #2 in 2005.

    Interviewed in “Directors Close Up: Interviews with Directors Nominated for Best Film by the Directors Guild of America”, ed. by Jeremy Kagan, Scarecrow Press, 2006.

    In 1996, he purchased Clark Gable’s Oscar (which he won for It Happened One Night (1934)) to protect it from further commercial exploitation and gave it back to the Academy of Motion Picture Arts and Sciences, commenting that he could think of “no better sanctuary for Gable’s only Oscar than the Motion Picture Academy”.

    On 14 December 2002 he bought Bette Davis’ Oscar, which she won for Dangerous (1935), at a Sotheby’s auction in New York to return it to the Academy of Motion Picture Arts and Sciences. The statuette was among the memorabilia sold by the Planet Hollywood restaurant chain, which has emerged from bankruptcy protection.

    On 19 July 2001 he purchased Bette Davis’ Oscar statuette, which she won for Jezebel (1938), at a Christie’s auction and returned it to the Academy of Motion Picture Arts and Sciences.

    Early in his career, while working for Universal Studios, he was asked to give a tour to a special guest who had just sold the film rights to one of his books to the studio. That guest was Michael Crichton, who later worked with Spielberg on Jurassic Park (1993).

    Both live-action adaptations of “The Incredible Hulk” have references to his films. The first used stock footage from Duel (1971) (TV). In the 2003 film by Ang Lee (Hulk (2003)), the impact of the Hulk hitting the ground causes ripples to form in nearby bodies of water, just as the Tyrannosaur does in Jurassic Park (1993).

    Though he frequently works with Tom Hanks, Hanks is not, as of 2006, involved in Spielberg’s biopic about Abraham Lincoln, even though he is descended from the family of Lincoln’s mother, Nancy Hanks.

    Owns one of the largest gun collections on the East Coast. He shoots, but only privately.

    Awarded Kennedy Center Honors in 2006, with Dolly Parton, Smokey Robinson, Zubin Mehta, and Andrew Lloyd Webber.

    According to Teri Garr, Spielberg told her on a set that one of his favorite movies is Viva Las Vegas (1964), starring Elvis Presley.

    Is of Hungarian descent, which explains his surname, coming from the Austrian city where his ancestors lived.

    Considered directing Memoirs of a Geisha (2005).

    He, George Lucas and Francis Ford Coppola presented Martin Scorsese with his first ever award for Best Director, for The Departed (2006).

    Is a huge fan of the actors Steve Martin, Bill Murray and Robin Williams. He is also proud to admit they are good friends of his.

    Was offered the opportunity to direct California Split (1974), but job went to Robert Altman.

    Was originally set to direct Cape Fear (1991). He later recommended Martin Scorsese for the job and personally called the director, letting him know that this was a commercial film that had potential to be a hit, which would exercise more power for Scorcese to make his films.

    Attended the funeral of Princess Diana with friends Richard Attenborough, Tom Cruise, Nicole Kidman and Tom Hanks. [September 6, 1997]

    Went to the same college, CSULB as Frank Miranda.

    Was originally in talks to direct The Mask of Zorro (1998) but later only produced it.

    Burt Reynolds film “White Lightning” (1973) was originally slated to be Spielberg’s first theatrical feature and he spent months on pre-production.

    Robbie Williams mentions him in his song “I Will Talk and Hollywood Will Listen”.

    2007- Ranked #2 on EW’s The 50 Smartest People in Hollywood.

    Is a fan of “Doctor Who” (1963).

    In 2007, Forbes estimated his earnings for the year 2006 to be $110 million.

    Is a fan of video games and says that their development is intriguing to him.

    His dog Elmer starred in several of his films including Jaws (1975) and Close Encounters of the Third Kind (1977).

    Owns homes in Pacific Palisades, California; New York City; East Hampton, New York; and Naples, Florida.

    Pulled out of his role as advisor to the 2008 Beijing Olympics, reacting to the Chinese government’s inaction over the genocide in Darfur (February 2008).

    Is a fan of the works of Carl Barks, and cites them as a big inspiration on his storytelling.

    Dated actress Valerie Bertinelli in the late ’70s.

    Turned down the opportunity to direct Deep Impact (1998) and The Mask of Zorro (1998) to work on Saving Private Ryan (1998).

    Steven Spielberg receiveing Philadelphia'’s 2009 Liberty Medal

    Served on the Board for the Institute for the Study of Women in Men in Society for USC. Hosted events for the intellectual society at his screening room and offices on the Universal lot in the late 1980s.

    In the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 8 of Spielberg’s films are listed: Jaws (1975), Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982), The Color Purple (1985), Jurassic Park (1993), Schindler’s List (1993) and Saving Private Ryan (1998).

    When Spielberg accepted the Cecil B. DeMille award at the 66th Annual Golden Globe Awards he expressed his gratitude to DeMille for helping him come to love filmmaking in the first place, describing his earliest childhood memory of going to see DeMille’s The Greatest Show on Earth (1952) with his father. “I think my fate was probably sealed that day in 1952″, he said, recalling how the train wreck scene in that film inspired first a keen interest in electric train sets and eventually his passion for film.

    Is an excellent shot with a shotgun. Actor Shia LaBeouf once said about his shooting, “He’s an Olympic shot. The hand-eye co-ordination of that man is unlike anything I’ve ever seen. If he weren’t a great director, he could be one of our greatest snipers”.

    Worked with both father and son Brolin actors. He worked with James Brolin in Catch Me If You Can (2002), and Josh Brolin in The Goonies (1985) and “Into the West” (2005).

    Is one of 7 directors to win the Golden Globe, Director’s Guild, BAFTA, and Oscar for the same movie, winning for Schindler’s List (1993). The other directors to achieve this are ‘Mike Nichols (I)’ for The Graduate (1967), Milos Forman for One Flew Over the Cuckoo’s Nest (1975), Richard Attenborough for Gandhi (1982), Oliver Stone for Platoon (1986), Ang Lee for Brokeback Mountain (2005), and Danny Boyle for Slumdog Millionaire (2008).

      

    Posted in Action, Adventure, awards, Birthdays, Directors, Horror, On this Date, Sci-fi, Science Fiction, Thriller, war | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

    Monster on the Campus released December 17, 1958

    Posted by GoreMaster Special Effects on December 17, 2009

    Monster on the Campus (1958) was a black and white, science fiction, horror film, released by Universal Pictures on a low budget. It was also known as Monster in the Night, and Stranger on the Campus. This film was the last of Universal’s science fiction monster films released before Island of Terror (1966).

    The film was directed by Jack Arnold (Creature from the Black Lagoon and The Incredible Shrinking Man) and from a script by David Duncan (The Time Machine).

    Professor Donald Blake (Arthur Franz) has a collection of facial reconstructions depicting the ascent of man from the early hominids to modern man (or woman in this case, actress Joanna Moore). One of them is that of Piltdown Man, whose “discovery” in 1912 was exposed as a hoax in 1953, five years before the movie was released.

    Cast
      Arthur Franz … Prof. Donald Blake
      Joanna Moore … Madeline Howard
      Judson Pratt … Lieutenant Mike Stevens
      Nancy Walters … Sylvia Lockwood
      Troy Donahue … Jimmy Flanders
      Phil Harvey … Sergeant Powell
      Helen Westcott … Nurse Molly Riordan
      Alexander Lockwood … Professor Gilbert Howard
      Whit Bissell … Dr. Oliver Cole
      Ross Elliott … Sergeant Eddie Daniels

    Joanna Moore

    Posted in Horror, Sci-fi, Science Fiction | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

    I Drink Your Blood released December 1970

    Posted by GoreMaster Special Effects on December 15, 2009

    I Drink Your Blood is a cult horror film originally released in 1970. The film was written and directed by David E. Durston, produced by Jerry Gross, and starred Bhaskar Roy Chowdhury and Lynn Lowry (who is uncredited in the film).

    Like many B-movies of its time, I Drink Your Blood was a Times Square exploitation film and drive-in theater staple.

    Trivia:

  • The scary, ugly face seen on the movie posters for this film was originally part of the poster art for the US/British monster film, It! (1967), starring Roddy McDowall.
  • This was the first film ever to be rated X by the MPAA based on violence alone.
  • Before the passing of the Video Recordings Act, a cut version was briefly released by Media Video in the UK in the early 1980s. Although it was never listed as an official “nasty video”, it was one of the films featured on a tape compiled by outspoken critic of sex and violence Mary Whitehouse and shown at the Conservative Party conference in 1984. This film has yet to receive a UK certificate.
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    Frankenstein’s Daughter released December 15, 1958

    Posted by GoreMaster Special Effects on December 15, 2009

    Frankenstein’s Daughter (1958) was the third of four drive-in classics crafted by producer Marc Frederic and director Richard E. Cunha in their late-’50s moviemaking heyday. In it, the original Doctor Frankenstein’s grandson repeats his grandfather’s grisly experiments.

    Cast
      John Ashley … Johnny Bruder
      Sandra Knight … Trudy Morton
      Donald Murphy … Oliver Frank/Frankenstein
      Sally Todd … Suzie Lawler
      Harold Lloyd Jr. … Don (Suzie’s guy)
      Felix Locher … Carter Morton
      Wolfe Barzell … Elsu
      John Zaremba … Police Lt. Boyle

    Trivia:

    • The full monster make-up was actually being worn by a man, Harry

      Frankensteins Daughter is Sandra Knight

      Wilson. Because of this, makeup creator Harry Thomas did not realize that the creature was supposed to be female. All he could do at the last minute was apply lipstick to the creature.

    • Make-up artist Harry Thomas has said that when he was given the assignment to make a mask for the “monster”, he was not told that the monster was to be a female, so he made the mask to be a male. By the time he was notified that the monster was to be a female, the mask had already been done, and there was no money in the make-up budget left to do another one.
    • Director Richard E. Cunha recently recalled that, upon seeing the make-up for the title creature just before filming, he was so disappointed he left the set and broke down in tears.
    • The exteriors of the house were shot at the home of producer Marc Frederic.
    • Sally Todd’s scream at the beginning of the film is that of Allison Hayes from the soundtrack of Attack of the 50 Foot Woman (1958).
    • This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson’s book THE OFFICIAL RAZZIE® MOVIE GUIDE.

    Posted in Frankenstein, Horror, Romance, Sci-fi, Science Fiction, Thriller | Tagged: , , , , , , , , , , , , , , | Leave a Comment »

    Tarantula released December 14, 1955

    Posted by GoreMaster Special Effects on December 14, 2009

    Tarantula is a 1955 science fiction film directed by Jack Arnold, and starring Leo G. Carroll, John Agar, and Mara Corday. Among other things, the film is notable for the appearance of a 25-year-old Clint Eastwood in an uncredited role as a jet pilot at the end of the film.

  • Look for a young Clint Eastwood as the (uncredited) leader of the jet squadron that attacks the tarantula in the film’s climax.
  • The tarantula was an actual live spider. Air jets were used to make it move in the desired way over a miniature landscape.
  • Mara Corday

    Posted in Horror, Sci-fi, Science Fiction | Tagged: , , , , , , , , , , , | Leave a Comment »

    Scream 2 released December 12, 1997

    Posted by GoreMaster Special Effects on December 12, 2009

    Scream 2 is a 1997 horror thriller film, the second part of the Scream trilogy. This movie takes place one year after the original. As with the other films in the trilogy, Scream 2 combines straight-forward scares with dialogue that satirizes conventions of slasher films, especially (in this case) slasher film sequels.

    Scream 2

    Trivia:

    • Not only was the cast not informed who the killer was until the last Day of shooting, they also didn’t receive the last 10 pages of the script until it was time to film them. The last 10 pages were also printed on grey paper, therefore making them unable to be illicitly Xeroxed. All cast members had to sign contracts that they would not discuss the movie’s outcome or the killer’s identity with the media.
    • Body count: 10
    • In Scream, Sydney laments that with her luck, she’d be portrayed by Tori Spelling if her story were ever filmed. In Stab, the film-within-a-film in Scream 2, Tori Spelling does in fact play Sydney.
    • Cameo: [Wes Craven] man in the background at the hospital.
    • Cameo: [Kevin Williamson] Cotton’s interviewer on T.V.
    • Cameo: [Matthew Lillard] Co-star of the original Scream is in the background at the frat party.
    • Liev Schreiber’s dog (terrier) has a cameo in the film. A female co-ed leads him in front of the crowd that goes to investigate after news of Cici’s murder.
    • Most of the outdoor scene are filmed at Agnes Scott College, a women’s college in Atlanta, Georgia.
    • “Dewey’s Theme” and other bits of the score are actually taken from the Broken Arrow (1996) soundtrack by Hans Zimmer. Later Score Soundtrack releases for Scream 2 feature Belltrami’s score, although it was not used in the film.
    • There are several references to actors from “Friends” (1994) which stars ‘Courtney Cox’. Gale says that the nude photos of her that were put on the internet are fakes, and that the body is that of Jennifer Aniston. Also, We learn that in Stab, Dewey is played by ‘David Schwimmer’.
    • Though in most films, phone voices are recorded later, director Wes Craven actually had the voice of the killer on set, to heighten the sense of fear for the actors. According to ‘Roger L. Jackson’, who plays the voice, he was kept on set but always out of sight from the actors, so they couldn’t picture a face with the voice. He said while watching the monitors, he could see between takes that Heather Graham looked a little scared, whereas Sarah Michelle Gellar would pick up the phone and carry on a conversation with him.
    • Gail’s mention of doctored internet photos is also a reference to an incident that actually happened to ‘Courteney Cox’ in the mid-1990s.
    • Paulette Patterson, who plays the usher who hands masks to Maureen and Phil, won her role in a contest sponsored by MTV.
    • Eric Mabius, Natasha Gregson Wagner, and Paula Marshall all auditioned for roles.
    • The Gothic statues in the film aren’t Agnes Scott campus features; they were put there for the film and guarded by a watchman. Students on the campus for summer events were told not to mess with the statues, but at least once the statues were dressed up and decorated by mischievous students who evaded the watchman.
    • Officers Richards and Andrews are named after Kyle Richards and Brian Andrews, the two child actors that Jamie Lee Curtis babysat in the original Halloween.
    • The girl that Cici talks to on the phone before the killer calls is Selma Blair.
    • The third rule to surviving a sequel is cut from the movie, but is shown in the trailer. “”And #3. Never, ever under any circumstance assume that the killer is dead.”
    • The tagline for “Stab” (the movie within the movie) is, “This is Gonna Hurt”.
    • The plot twists were all a matter of top secrecy throughout production. The screenplay was heavily guarded and restricted to only the most crucial personnel. Certainly none of the cast knew how the film ended as the last 10 pages were withheld from them. Consequently when an early screenplay draft was leaked onto the Internet, revealing the intended identity of Ghostface, Kevin Williamson was forced to do some hasty rewrites. This meant that the film went into production without a completed script.
    • Earned one third of its total gross of $101.3 million in its opening weekend.
    • The rules for a horror movie sequel – as laid out by Randy in the film – are (1) the body count is always bigger and (2) the death scenes are always much more elaborate with more blood and gore.
    • The killer’s comments when Omar Epps overhears him in the bathroom stall next to him are directly inspired by the killer in Black Christmas (1974).
    • The film’s working title was “The Sequel to Scream”.
    • Released less than a year after Scream (1996/I).
    • A number of sequences in Kevin Williamson’s screenplay simply read “Wes will make it scary”.
    • Any actor auditioning for the part of Derek had to perform the scene in the cafeteria where he sings “I Think I Love You” without accompaniment.
    • Sarah Michelle Gellar signed on for the movie before even reading the script
    • When we first see CiCi (Sarah Michelle Gellar) alone in the sorority house and on the phone with her friend, she says “They aren’t going out anymore, Sarah broke up with Bailey when she found out he slept with Gwen.” Sarah, Bailey and Gwen were all characters on “Party of Five” (1994), which Neve Campbell starred in for 6 years.
    • In the trailer and TV spots, the scene where Sidney talks to the killer for the first time on the Lamda house phone is altered. In the trailers, the killer replies to her question with “It’s time, girlfriend!” In the theatrical version, he says “I want you. It’s show time.”
    • The idea of a sequel came up when writer Kevin Williamson was writing the script for _Scream (1996)_, feeling there was more to the story.
    • Started filming just 6 months after it’s predecessor _Scream (1996)_ was released.

     

    Posted in GoreMaster People, Horror, Mystery, Thriller | Tagged: , , , , , , , , , , , , | 1 Comment »

    The Wolf Man released December 12, 1941

    Posted by GoreMaster Special Effects on December 12, 2009

    The Wolf Man is a 1941 monster horror film written by Curt Siodmak and produced and directed by George Waggner, starring Lon Chaney, Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf movie, preceded six years earlier by the less commercially successful Werewolf of London.

    Trivia:

     

    • Larry Talbot’s brother’s name was John.
    • In the first version of the script, Larry was not the prodigal son of Sir John Talbot, nor related to him in any way. He was an American engineer who comes to fix Sir John’s telescope, and ends up getting trapped in the werewolf curse.
    • Lon Chaney Jr.’s make-up took six hours to apply, and three hours to get off.
    • Larry had been away 18 years working on Mt. Wilson Observatory in California.
    • The first transformation takes place with Talbot in an undershirt (although he is fully dressed in a dark shirt

      Lon Chaney, Jr and Evelyn Ankers

      once on the prowl). Only the feet transform on screen in six lapse dissolves. In the second transformation there are eleven shots – again of feet only. The third transformation features 17 face shots in a continuous dissolve.

    • The Wolfman battled a bear in one scene but unfortunately the bear ran away during filming. What few scenes were filmed were put into the theatrical trailer.
    • “Even a man who is pure at heart, and says his prayers by night, may become a wolf when the wolfbane blooms and the autumn moon is bright.” This quote has been listed in some sources as an authentic Gypsy or Eastern European folk saying. Writer Curt Siodmak admits that he simply made it up. Nonetheless, the rhyme would be recited in every future Universal film appearance of the Wolf Man, and would also be quoted in Van Helsing (2004). (Albeit, slightly modified, “The moon is shining bright.” rather than “The autumn moon is bright.”)
    • Larry’s silver wolf-headed cane, the only known surviving prop from the movie, currently resides in the personal collection of genre film archivist Bob Burns. Burns, who was a schoolboy at the time, was given the cane head by the man who made it for the film, prop-maker Ellis Burman.
    • Maria Ouspenskaya, who played the old Gypsy woman, was only six years older than Bela Lugosi, who played her son.
    • According to the documentary on the Recent Wolf Man DVD collection, the script for The Wolf Man was influenced by writer Curt Siodmak’s experiences in Nazi Germany. Siodmak had been living a normal life in Germany only to have it thrown into chaos and himself on the run when the Nazis took control, just as Larry Talbot finds his normal life thrown into chaos and himself on the run once he is turned into a werewolf. Also, the wolfman himself can be seen as a metaphor for the Nazis: an otherwise good man who is transformed into a vicious killing animal who knows who his next victim will be when he sees the symbol of a pentagram (i.e., a star) on them.
    • Curt Siodmak’s first draft lacked all werewolf scenes and the hallucinatory sequence.
    • Dick Foran was originally cast in the role of Larry Talbot. He was replaced just one week before filming began.
    • It was originally given the working title, “Destiny,” which had been the preliminary title of a number of Universal films that decade (including Son of Dracula (1943)).
    • Universal, lacking a theater chain, had planned to market the film as part of a double bill (with The Mad Doctor of Market Street (1942)) but feared that the public would avoid an all-horror bill after the attack on Pearl Harbor.
    • Evelyn Ankers had a rough time on the set. Lon Chaney Jr. delighted in sneaking up on her in full makeup and scaring her senseless. In other deleted scene, a bear was to wrestle with the werewolf but broke loose, chasing the actress up into the soundstage’s rafters.
    • Despite Universal’s apprehensions over the public’s appetite for horror movies following the attack on Pearl Harbor, the film became one of the studio’s top grossers in 1942.
    • The silver top of Larry’s wolf-head cane was made of vulcanized rubber so none of the actors or stunt doubles would get injured if they were accidentally hit by it.
    • Universal had another unproduced werewolf script originally planned as a vehicle for Boris Karloff on file but writer Curt Siodmak did not utilize any of it for his script.
    • Silent film actor Gibson Gowland appears in this film as a villager present at the death of Larry Talbot. He also had been present during the Phantom’s death scene in the 1925 version of The Phantom of the Opera (1925), becoming the only actor to appear in death scenes performed by both Lon Chaney and Lon Chaney Jr.
    • In this movie, we’re told that a werewolf is “a human being who becomes a wolf at certain times of the year … ‘when the wolf-bane blooms and the autumn moon is bright,’” and the moon is never depicted in the film. This is the only one of the Universal series of Wolf Man films in which the full moon is never shown. In the sequel, the folklore is changed to “when the moon is full and bright.”
    • Larry Talbot and his father Sir John attend church on Sunday in the village, but the doorway and steps of the village church looks more like that of a cathedral. In fact, it was a cathedral – part of the original set built for the legendary silent version of The Hunchback of Notre Dame (1923/I), which had starred Lon Chaney Jr.’s famous father, Lon Chaney and which stood on the Universal back lot for over 20 years.
    • The “wolf” that Larry Talbot fights with was Lon Chaney Jr.’s own German Shepherd.
    • The first Universal picture since The Black Cat (1934) to introduce the major characters during the opening credits – and the actors playing them – with brief clips from the movie.

     

    Posted in drama, Fantasy, GoreMaster People, Horror, The Wolfman, werewolf | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

     
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