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Archive for the ‘Thriller’ Category

Invasion of the Body Snatchers released December 20, 1978

Posted by GoreMaster Special Effects on December 20, 2009

 

 

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Invasion of the Body Snatchers is a 1978 science fiction film based on the novel The Body Snatchers by Jack Finney.

Trivia:

  • At the beginning of the film, as the alien spores rain down on earth, you see them presumably landing on the Transamerica Pyramid in San Francisco – the headquarters of what was then the parent company of United Artists, which produced the film.
  • Cameo: ['Don Siegel (I)'] taxi driver. Siegel directed the original film, of which this film is a remake.
  • Cameo: [Kevin McCarthy] man asking for help. McCarthy was the star of the original film, of which this film is a remake.
  • Cameo: ['Robert Duvall (I)'] the priest on the swing.
  • According to the commentary on the DVD, director Philip Kaufman said they paid ‘Robert Duvall (I)’ by giving him an Eddie Bauer jacket.
  • Director Cameo: [Philip Kaufman] playing an impatient man rapping on the window of a phone booth occupied by Donald Sutherland.
  • Silence is heard as the end credits roll as there was no end title music composed or recorded for the film.
  • Elizabeth’s nude scene in the factory was also filmed with clothes. That was seen when the film debuted on ABC in 1980.
  • Donald Sutherland insisted on performing his own stunts in the film’s climax. His scenes at the pod factory were filmed without harnesses or nets. In the shot of a fireball erupting from the factory, Sutherland barely missed it. However, an extra missed his cue and was seriously injured from the explosion.
  • Among the sounds Ben Burtt used for the pod growing scene, the heartbeat came from an ultrasound recorded on his pregnant wife. The pod screams were recorded pig squeals. Additionally, the natural diegetic sounds (crickets, birds chirping) fade as the film progresses, until only mechanical sounds (sirens, the garbage trucks) are heard.
  • Donald Sutherland was hit by a Volkswagen beetle while filming a shot of Matthew and Elizabeth running. He fell onto the windshield and was able to see the driver saying “Oh, my God! Not you!”
  • Matthew’s story/joke goes as follows. The British are trapped in the Sahara and are surrounded by the Germans. One day, an officer makes an announcement: “I have good news and bad news. The bad news is, we have no food but camel poop. The good news is, there is plenty of it.”
  • While rehearsing Kevin McCarthy’s cameo, a naked homeless man recognized him and said “The first one was better”.
  • Cameo: [Cinematographer Michael Chapman] janitor at the Health Department. Appears when Elizabeth cries in Matthew’s arms and later when they sneak into the building.
  • During the taxi ride, Donald Sutherland and Brooke Adams’ nervousness is genuine. Don Siegel had lost much of his vision and was driving through the dark streets of San Francisco without his glasses.

 

Posted in Horror, Mystery, Sci-fi, Science Fiction, Thriller | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Don’t Open Till Christmas released December 19, 1984

Posted by GoreMaster Special Effects on December 19, 2009

Don’t Open Till Christmas is a 1984 British horror film starring Edmund Purdom, Alan Lake, Belinda Mayne and Mark Jones.  Directed by Edmund Purdom.

Trivia

  • The film took almost two years to complete after original director Edmund Purdom quit the job and Derek Ford took over but was fired after two days. The distributors then hired Ray Selfe to complete the direction and Al McGoohan to rewrite parts of the script, including the original ending and the London Dungeon sequence, and much of the footage was completely re-filmed.
  • Although the character of Dr Bridle (played by Nicholas Donnelly) is referred to in the script he has never appeared in any print of the movie. Due to the films many production difficulties his scenes were probably filmed but deleted.
  • Posted in Horror, Mystery, Thriller | Leave a Comment »

    Ghost Story released December 18, 1981

    Posted by GoreMaster Special Effects on December 18, 2009

    Ghost Story is a 1981 American horror film based on the book of the same name by Peter Straub. It is directed by John Irvin and it stars Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman and Craig Wasson (in a dual role). It was the last film to feature Astaire, Fairbanks, and Douglas, and the first film to feature Michael O’Neill.

    Directed by
      John Irvin

    Writers
      Lawrence D. Cohen Writer
      Peter Straub Novel

    Producers
      Douglas Green … co-producer
      Ronald G. Smith … associate producer
      Burt Weissbourd … producer

    Cast
      Fred Astaire … Ricky Hawthorne
      Melvyn Douglas … Dr. John Jaffrey
      Douglas Fairbanks Jr. … Edward Charles Wanderley
      John Houseman … Sears James
      Craig Wasson … Don Wanderley/David Wanderley
      Patricia Neal … Stella Hawthorne
      Alice Krige … Eva Galli/Alma Mobley
      Jacqueline Brookes … Milly
      Miguel Fernandes … Gregory Bate
      Lance Holcomb … Fenny Bate
      Mark Chamberlin … Young Jaffrey
      Tim Choate … Young Hawthorne
      Kurt Johnson … Young Wanderley
      Ken Olin … Young James

    Make Up Department
      Irving Buchman … makeup artist
      Albert Jeyte … makeup artist
      Robert Jiras … makeup artist
      Philip Leto … hair stylist
      Rick Sharp … makeup artist
      Dick Smith … special makeup

    Special Effects Department
      Henry Millar Jr. … special effects

    Visual Effects Department
      Syd Dutton … matte artist
      Dennis Glouner … matte photography
      Bill Taylor … matte photography
      Albert Whitlock … special visual effects
      Henry Schoessler … matte crew

    Trivia:

     

    • The last feature film for veteran actors Melvyn Douglas, Fred Astaire, and Douglas Fairbanks Jr..
    • Melvyn Douglas (Dr. John Jaffery) is actually mentioned in the novel on which the movie is based.
    • Fred Astaire (Ricky Hawthorne) is actually mentioned in the novel on which the movie is based.
    • Young Ricky Hawthorne says, “I can’t dance.” Old Ricky Hawthorne is played by Fred Astaire. This line wasn’t in the novel.
    • Searching for someone qualified to score a story dealing with elderly people, the production team was reminded of Le chat (1971), a French film about a bitter old couple spending time arguing. That’s how Philippe Sarde was hired and why some of the main theme of that precise film is repeatedly used in the score of “Ghost Story.”
    • Robin Curtis’ film debut.
    • The pipe organ used is the same organ that was used by Lon Chaney in The Phantom of the Opera (1925).
    • Interiors were constructed inside the abandoned Union Station, the former New York Central Railroad’s passenger train station on Broadway in Albany, NY and included a two story set. The murder or death scene was filmed on the second floor of that set. Scenes were filmed in sequence and the two story set was significantly aged after the death scene so that it later appeared as the derelict house. After the movie, the old station was refurbished and restored to its former grandeur and served as office space for Fleet Bank and now Bank of America.

    Posted in Action, Directors, drama, Horror, On this Date, Suspense, Thriller | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

    Steven Spielberg Birthday December 18

    Posted by GoreMaster Special Effects on December 18, 2009

    Steven Allan Spielberg, KBE (born December 18, 1946) is an American film director, screenwriter, and film producer. In a career spanning over four decades, Spielberg’s films have touched on many themes and genres. Spielberg’s early sci-fi and adventure films sometimes centering on children, were seen as an archetype of modern Hollywood blockbuster filmmaking. In later years his films began addressing such issues as The Holocaust, slavery, war and terrorism.

    Spielberg won the Academy Award for Best Director for 1993′s Schindler’s List and 1998′s Saving Private Ryan. Four of Spielberg’s films, Jaws (1975), Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), and Jurassic Park (1993), broke box office records, each becoming the highest-grossing film made at the time. To date, the unadjusted gross of all Spielberg-directed films exceeds $8.5 billion worldwide. Forbes magazine places Spielberg’s personal net worth at $3.0 billion. In 2006, Premiere listed him as the most powerful and influential figure in the motion picture industry. Time listed him as one of the 100 Most Important People of the Century. At the end of the twentieth century, Life named him the most influential person of his generation.

     
     
     
     
     

    ET and Steven Spielberg

    Trademark:

    Uses powerful flashlights in dark scenes (Jurassic Park (1993); The Lost World: Jurassic Park (1997) and E.T.: The Extra-Terrestrial (1982)). The outline of the beam is often made visible through dust, mist, or fog.

    Frequently uses music by John Williams.

    Often shows shooting stars (Jaws (1975)).

    Onscreen performers staring, usually at something off camera.

    He often uses images of the sun (Raiders of the Lost Ark (1981), The Color Purple (1985), Empire of the Sun (1987), Saving Private Ryan (1998)).

    His films often show children in some sort of danger.

    Consistent references to World War II.

    Frequent references to Disney films, music, or theme parks.

    Frequently uses a piano as an element in key scenes (Schindler’s List (1993), Saving Private Ryan (1998), Minority Report (2002)).

    Important images, or characters, are often seen through the rear-view mirror of a car (Duel (1971) (TV), E.T.: The Extra-Terrestrial (1982), Jurassic Park (1993), Schindler’s List (1993), Artificial Intelligence: AI (2001)).

    Frequently casts Tom Hanks, Richard Dreyfuss, Harrison Ford, Frank Welker and Tom Cruise.

    Protagonists in his films often come from families with divorced parents, with fathers portrayed as reluctant, absent or irresponsible, most notably in _E.T.: the Extra-Terrestrial (1982)_ (Elliot’s mother is divorced and father is absent) and Catch Me If You Can (2002) (Frank Abagnale’s mother and father split early in the film). This reflects Spielberg’s own experience as a youth with his parents breaking up.

    A common theme in many of his films is ordinary people who discover something extraordinary – people, places, artifacts, creatures, etc. (Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982)).

    Since Raiders of the Lost Ark (1981), all of his movies have featured visual effects (even those that were undetected) by Industrial Light & Magic (ILM), the F/X house created by his friend George Lucas. The only exception has been The Terminal (2004), which had F/X work by Digital Imageworks.

    Is credited for starting the summer blockbuster tradition with 1975′s first $100 million megahit, Jaws (1975).

    Trivia:

    Member of Theta Chi Fraternity (Zeta Epsilon Chapter, Long Beach State University). One of his fraternity brothers was Roger Ernest.

    Received the Germany’s Cross of Merit with star for his sensible representation of Germany’s history in Schindler’s List (1993). [1998]

    Jonathan Norman was sentenced to 25 years to life, for stalking Spielberg and threatening to rape him. [June 1998]

    Chosen by Entertainment Weekly as the most powerful person in entertainment in 1997. [31 October 1997]

    American Film Institute Life Achievement Award. [1995]

    There are seven children in the Capshaw-Spielberg family: Theo Spielberg, who was adopted by Kate Capshaw before their marriage and later adopted by Spielberg, born in 1988, Sasha Spielberg, born on 14 May 1990, Sawyer Spielberg, born on 10 March 1992, their adopted daughter Mikaela George Spielberg, born on 28 February 1996, and Destry Allen Spielberg, born on 1 December 1996. Kate Capshaw’s daughter Jessica Capshaw, born in 1976, is from her previous marriage. Steven Spielberg’s son Max Spielberg, born in 1985, is from his previous marriage to Amy Irving.

    Amy Irving gave birth to his son Max Spielberg on 13 June 1985.

    He claims Richard Dreyfuss is his alter-ego.

    Attended California State University, Long Beach after being turned down by USC Cinema school twice.

    Attended Arcadia High School in Phoenix.

    Awarded second annual John Huston Award for Artists Rights by the Artists Rights Foundation. [1995]

    Co-founder (with Jeffrey Katzenberg and David Geffen) of DreamWorks SKG.

    He has one of the original Rosebud sleds from Citizen Kane (1941) in his house.

    Godfather of Drew Barrymore and Gwyneth Paltrow.

    Named Best Director of the 20th Century in an Entertainment Weekly on-line poll, substantially beating out runners-up Alfred Hitchcock and Stanley Kubrick. [September 1999]

    Born to Arnold Spielberg, a computer engineer, and Leah Adler, née Posner, a restaurateur and concert pianist.

    Received the Distinguished Public Service Award, the U. S. Navy’s highest civilian honor, on Veterans Day 1999 for his work on the movie Saving Private Ryan (1998).

    Sits on USC School of Cinema-Television’s Board of Councilors.

    When he was a child, he sneaked onto the lot of Universal Studios during a tour and befriended an editor who showed him a few things about filmmaking.

    Gwyneth Paltrow calls him Uncle Morty.

    During filming of their episode of “Night Gallery” (1970), Spielberg gave Joan Crawford the gift of a single red rose in a Pepsi bottle. During an on-set conversation with Detroit Free Press reporter Shirley Eder, Crawford pointed out Spielberg and said, “Go interview that kid, because he’s going to be the biggest director of all time!” Crawford and Spielberg remained good friends until her death in 1977.

    Awarded the honor of Knight of the Order of the British Empire (KBE) in New Years Honours 2001 by Queen Elizabeth II for his contribution to the British film industry. As a non-Commonwealth citizen, he will not be able to use the title. [December 2000]

    States that the work of David Lean has had a profound effect on his career.

    Spent five months developing the script for Rain Man (1988) with Ronald Bass, but had to commit to his handshake deal to direct Indiana Jones and the Last Crusade (1989). Spielberg gave all of his notes to Barry Levinson.

    Almost directed Big (1988) with Tom Hanks starring, but didn’t want to steal the thunder of his sister, Anne Spielberg, who co-wrote the script.

    Personally offered the American Beauty (1999) script to Sam Mendes, who ended up winning the Academy Award for Best Director on the film, which was Mendes’s debut feature.

    Flew Will Smith to his Hamptons home via helicopter to offer him the part in Men in Black (1997).

    Often casts new actors based on their performances in other works. Rarely does auditions for major roles.

    Was asked to approve use of the theme music from Jaws (1975) for Swingers (1996). When he saw a cut of the film, he saw Vince Vaughn, whom he chose to play Nick Van Owen in The Lost World: Jurassic Park (1997).

    He is an Eagle Scout and was on an advisory board for the Boy Scouts of America. He left this position because he did not agree with the fact that the Boy Scouts of America discriminated against homosexuals.

    Was directing a childbirth scene when he received a call that Amy Irving was giving birth to their son Max Spielberg.

    According to the 2001 issue of Forbes’ “400 Richest People In America,” Spielberg’s fortune is $2.1 billion.

    Was irked when footage from his movie Duel (1971) (TV) was used as stock footage in an episode of “The Incredible Hulk” (1978). But since Universal Studios owned the rights to both the The Incredible Hulk series and the film of Duel, taking legal action was not possible. However, he subsequently updated his contracts to include a clause that would protect his future material from being used as stock footage.

    On May 31, 2002, graduated from California State University Long Beach with a bachelor’s degree in film and electronic arts. He had dropped out of college in 1968 to concentrate on his career, but during the 2000s fulfilled his remaining graduation requirements via independent projects, which required correspondence courses and several term papers. For Spielberg, the school waived its requirement that all senior film majors must submit a completed 12-minute short film, accepting Schindler’s List (1993) in its place. He donned cap and gown and marched in the commencement ceremony with his fellow graduates.

    Received honorary doctor of humane letters degree from Yale University (27 May 2002).

    When Spielberg received his undergraduate degree (about 35 years after he had first entered college), the orchestra played the theme from the “Indiana Jones” series of films as he walked up to and across the stage.

    Owns the rights to the Stephen King novel “The Talisman”. As of 2002, the book has not been made into a film. He is now producing this film for release in 2007.

    His father served in World War II in South East Asian Front.

    Michael Kahn has edited all of Spielberg’s theatrical features since Close Encounters of the Third Kind (1977), their first collaboration. Kahn did not, however, edit E.T.: The Extra-Terrestrial (1982) because he was editing Poltergeist (1982). E.T.: The Extra-Terrestrial (1982) was edited by Carol Littleton.

    According to the 2002 edition of Forbes’ “400 Richest People in America,” his fortune is estimated at $2.2 billion, a $100 million improvement over the 2001 estimate.

    Ranked #1 in Premiere’s 2003 annual Hollywood Power List. It is the third time he received the top ranking (the others being in 1994 & 1995). He had ranked #6 in 2002.

    In Close Encounters of the Third Kind (1977), the humans and aliens use music and computers to communicate. Spielberg’s father was a computer scientist and his mother was a musician. This fact was only recently pointed out to him on “Inside the Actors Studio” (1994) by host James Lipton and he was unsurprisingly delighted when he realised the connection.

    Is set to produce a mini-series for HBO that will set out to debunk the legend of King Arthur and the Knights of the Round Table. The mini-series, written by David Leland, will focus on the historical reality of life in 500 A.D., when Arthur was thought to be King and will have no round table, Merlin, Lancelot, Excalibur, or knights. Camelot itself will be shown to have been a simple Roman fort and Arthur, named Artos in the film, will be portrayed as a humble blacksmith whose forging skills win him the English throne. It was expected to air sometime in 2004. [2003]

    The first film he directed that was not scored by John Williams was The Color Purple (1985), which was scored by Quincy Jones.

    Was voted the 11th Greatest Director of all time by Entertainment Weekly.

    In 1983, he lost the Best Picture Oscar to Gandhi (1982), directed by Richard Attenborough. He later went on to direct five cast members, as well as Attenborough, in his later movies: Amrish Puri in Indiana Jones and the Temple of Doom (1984); Roshan Seth in Indiana Jones and the Temple of Doom (1984); Richard Attenborough in Jurassic Park (1993); Ben Kingsley in Schindler’s List (1993), Nigel Hawthorne in Amistad (1997) and Martin Sheen in Catch Me If You Can (2002).

    Has worked with four actors from the Hannibal Lecter film series, in reverse order to the order in which the Lecter films came out. The first one he worked with was Ralph Fiennes in Schindler’s List (1993), who went on to play Francis Dollarhyde in Red Dragon (2002). His next film was The Lost World: Jurassic Park (1997), with Julianne Moore, who played Clarice Starling in the third Lecter film, Hannibal (2001). After this, he made Amistad (1997), with Anthony Hopkins, who began playing Hannibal Lecter in the second film, The Silence of the Lambs (1991). After this he made Saving Private Ryan (1998), which featured Dennis Farina, who played Jack Crawford in the original Lecter film, Manhunter (1986).

    When asked what are the films he’s made he would like to be remembered for, he said E.T.: The Extra-Terrestrial (1982) and Schindler’s List (1993).

    Although close friend, George Lucas, has vowed to only shoot future movies digitally, Spielberg has been the most vocal film-maker of the opposing view: to continue shooting all of his movies on film. Other directors siding with Spielberg include Martin Scorsese and Oliver Stone.

    According to his interview on the series “Inside the Actors Studio” (1994), his favorite curse word is “Rats!”

    To date, has never provided a director’s commentary on any of his films DVDs. [2004]

    In the 2004 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.6 billion, his highest showing yet. The only filmmaker ahead of him is his good friend George Lucas, whose worth is estimated at $3 billion.

    Described One Froggy Evening (1955) as “the most perfect cartoon ever made”.

    His longtime friend George Lucas originally wanted him to direct the third entry of the original Star Wars trilogy, Star Wars: Episode VI – Return of the Jedi (1983) and Spielberg was eager to do so, but Lucas was unsuccessful in getting him the job because of his dispute with the Director’s Guild at the time.

    When he used product placement in E.T.: The Extra-Terrestrial (1982), he used Reese’s Pieces only because M & M’s parent company didn’t want their product associated with aliens and UFOs.

    Directed nine actors in Oscar-nominated performances: Liam Neeson; Ralph Fiennes; Anthony Hopkins; Tom Hanks; Melinda Dillon; Whoopi Goldberg; Oprah Winfrey; Margaret Avery and Christopher Walken.

    Wrote a letter to Polish writer/director Mira Hamermesh in appreciation of one of her films.

    Graduated from Saratoga High School in Saratoga, California.

    Ranked #2 on Premiere’s 2005 Power 50 List, behind only Peter Jackson. Had the same ranking in 2004, behind Pixar bosses John Lasseter and Steve Jobs.

    Though he has directed 9 actors in Oscar-nominated performances, to date he has never directed an Oscar-winning performance.

    Ranked #1 in Empire (UK) magazine’s “The Greatest directors ever!” (2005).

    Has been Honorary Member of the Society of Operating Cameramen (SOC) since 1995 and received the Governors Award “for his contributions in the advancement of the use of the motion picture camera”.

    He has always been very protective of his name. If his company is working on a film and he feels it is not up to his standards, he will remove his name as a producer.

    Aside from producing The Goonies (1985), he also directed at least one scene in the movie.

    In the 2005 edition of Forbes’ “400 Richest People in America”, his net worth is estimated at $2.7 billion, a $100 million improvement over 2004 (due mostly to his share of the DreamWorks Animation public stock offering). He, and good friend George Lucas (net worth: $3.5 billion) are the only filmmakers on the list.

    In December, he, Jeffrey Katzenberg and David Geffen sold DreamWorks SKG to Paramount Pictures Corporation for $1.6 billion.

    Once screened Lawrence of Arabia (1962) with director David Lean, who gave Spielberg a “live director’s commentary”, as Spielberg put it. Spielberg said that it was one of the best moments of his life, learning from a true master. Consequently, Spielberg stated that it helped him make better pictures and that commentary directly influenced every movie he has made since.

    His ten favourite films of all time are: Fantasia (1940); Citizen Kane (1941); A Guy Named Joe (1943); It’s a Wonderful Life (1946); The War of the Worlds (1953); Psycho (1960); Lawrence of Arabia (1962); 2001: A Space Odyssey (1968); The Godfather (1972) and La nuit américaine (1973).

    Has an estimated fortune of $2.8 billion ($2,800,000,000), according to the “Los Angeles Business Journal”. The size of his fortune him the 14th richest person in the Los Angeles area and likely the wealthiest producer-director in the world (with only his friend George Lucas coming close).

    His iconic character “E.T.” from E.T.: The Extra-Terrestrial (1982) is ranked #26 on Premiere Magazine’s 100 Greatest Movie Characters of All Time.

    Is the most represented filmmaker on the American Film Institute’s 100 Most Inspiring Movies of All Time, with five films on the list and three in the top ten. They are: Close Encounters of the Third Kind (1977) at #58; The Color Purple (1985) at #51; Saving Private Ryan (1998) at #10; E.T.: The Extra-Terrestrial (1982) at #6 and Schindler’s List (1993) at #3.

    Ranked #6 in the Power Rankings and #1 in the Money Rankings on Forbes’ 2006 Celebrity 100 List, with earnings of $332 million. Most of those earnings were from the 2005 sale of DreamWorks to Paramount Pictures.

    Ranked #4 on Premiere’s 2006 “Power 50″ list. Had ranked #2 in 2005.

    Interviewed in “Directors Close Up: Interviews with Directors Nominated for Best Film by the Directors Guild of America”, ed. by Jeremy Kagan, Scarecrow Press, 2006.

    In 1996, he purchased Clark Gable’s Oscar (which he won for It Happened One Night (1934)) to protect it from further commercial exploitation and gave it back to the Academy of Motion Picture Arts and Sciences, commenting that he could think of “no better sanctuary for Gable’s only Oscar than the Motion Picture Academy”.

    On 14 December 2002 he bought Bette Davis’ Oscar, which she won for Dangerous (1935), at a Sotheby’s auction in New York to return it to the Academy of Motion Picture Arts and Sciences. The statuette was among the memorabilia sold by the Planet Hollywood restaurant chain, which has emerged from bankruptcy protection.

    On 19 July 2001 he purchased Bette Davis’ Oscar statuette, which she won for Jezebel (1938), at a Christie’s auction and returned it to the Academy of Motion Picture Arts and Sciences.

    Early in his career, while working for Universal Studios, he was asked to give a tour to a special guest who had just sold the film rights to one of his books to the studio. That guest was Michael Crichton, who later worked with Spielberg on Jurassic Park (1993).

    Both live-action adaptations of “The Incredible Hulk” have references to his films. The first used stock footage from Duel (1971) (TV). In the 2003 film by Ang Lee (Hulk (2003)), the impact of the Hulk hitting the ground causes ripples to form in nearby bodies of water, just as the Tyrannosaur does in Jurassic Park (1993).

    Though he frequently works with Tom Hanks, Hanks is not, as of 2006, involved in Spielberg’s biopic about Abraham Lincoln, even though he is descended from the family of Lincoln’s mother, Nancy Hanks.

    Owns one of the largest gun collections on the East Coast. He shoots, but only privately.

    Awarded Kennedy Center Honors in 2006, with Dolly Parton, Smokey Robinson, Zubin Mehta, and Andrew Lloyd Webber.

    According to Teri Garr, Spielberg told her on a set that one of his favorite movies is Viva Las Vegas (1964), starring Elvis Presley.

    Is of Hungarian descent, which explains his surname, coming from the Austrian city where his ancestors lived.

    Considered directing Memoirs of a Geisha (2005).

    He, George Lucas and Francis Ford Coppola presented Martin Scorsese with his first ever award for Best Director, for The Departed (2006).

    Is a huge fan of the actors Steve Martin, Bill Murray and Robin Williams. He is also proud to admit they are good friends of his.

    Was offered the opportunity to direct California Split (1974), but job went to Robert Altman.

    Was originally set to direct Cape Fear (1991). He later recommended Martin Scorsese for the job and personally called the director, letting him know that this was a commercial film that had potential to be a hit, which would exercise more power for Scorcese to make his films.

    Attended the funeral of Princess Diana with friends Richard Attenborough, Tom Cruise, Nicole Kidman and Tom Hanks. [September 6, 1997]

    Went to the same college, CSULB as Frank Miranda.

    Was originally in talks to direct The Mask of Zorro (1998) but later only produced it.

    Burt Reynolds film “White Lightning” (1973) was originally slated to be Spielberg’s first theatrical feature and he spent months on pre-production.

    Robbie Williams mentions him in his song “I Will Talk and Hollywood Will Listen”.

    2007- Ranked #2 on EW’s The 50 Smartest People in Hollywood.

    Is a fan of “Doctor Who” (1963).

    In 2007, Forbes estimated his earnings for the year 2006 to be $110 million.

    Is a fan of video games and says that their development is intriguing to him.

    His dog Elmer starred in several of his films including Jaws (1975) and Close Encounters of the Third Kind (1977).

    Owns homes in Pacific Palisades, California; New York City; East Hampton, New York; and Naples, Florida.

    Pulled out of his role as advisor to the 2008 Beijing Olympics, reacting to the Chinese government’s inaction over the genocide in Darfur (February 2008).

    Is a fan of the works of Carl Barks, and cites them as a big inspiration on his storytelling.

    Dated actress Valerie Bertinelli in the late ’70s.

    Turned down the opportunity to direct Deep Impact (1998) and The Mask of Zorro (1998) to work on Saving Private Ryan (1998).

    Steven Spielberg receiveing Philadelphia'’s 2009 Liberty Medal

    Served on the Board for the Institute for the Study of Women in Men in Society for USC. Hosted events for the intellectual society at his screening room and offices on the Universal lot in the late 1980s.

    In the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 8 of Spielberg’s films are listed: Jaws (1975), Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T.: The Extra-Terrestrial (1982), The Color Purple (1985), Jurassic Park (1993), Schindler’s List (1993) and Saving Private Ryan (1998).

    When Spielberg accepted the Cecil B. DeMille award at the 66th Annual Golden Globe Awards he expressed his gratitude to DeMille for helping him come to love filmmaking in the first place, describing his earliest childhood memory of going to see DeMille’s The Greatest Show on Earth (1952) with his father. “I think my fate was probably sealed that day in 1952″, he said, recalling how the train wreck scene in that film inspired first a keen interest in electric train sets and eventually his passion for film.

    Is an excellent shot with a shotgun. Actor Shia LaBeouf once said about his shooting, “He’s an Olympic shot. The hand-eye co-ordination of that man is unlike anything I’ve ever seen. If he weren’t a great director, he could be one of our greatest snipers”.

    Worked with both father and son Brolin actors. He worked with James Brolin in Catch Me If You Can (2002), and Josh Brolin in The Goonies (1985) and “Into the West” (2005).

    Is one of 7 directors to win the Golden Globe, Director’s Guild, BAFTA, and Oscar for the same movie, winning for Schindler’s List (1993). The other directors to achieve this are ‘Mike Nichols (I)’ for The Graduate (1967), Milos Forman for One Flew Over the Cuckoo’s Nest (1975), Richard Attenborough for Gandhi (1982), Oliver Stone for Platoon (1986), Ang Lee for Brokeback Mountain (2005), and Danny Boyle for Slumdog Millionaire (2008).

      

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    Dino De Laurentiis’ King Kong released December 17, 1976

    Posted by GoreMaster Special Effects on December 17, 2009

    King Kong is a 1976 American motion picture produced by Dino De Laurentiis and directed by John Guillermin. It is a remake of the 1933 classic King Kong, about how a giant ape is captured and imported to New York City for exhibition.

    The remake’s screenplay was written by Lorenzo Semple Jr., based on the original movie story written by Merian C. Cooper and Edgar Wallace, which had been adapted into the 1933 screenplay by James Ashmore Creelman and Ruth Rose. It starred Jeff Bridges, Charles Grodin, and Jessica Lange, in her first movie role, playing a part similar to the one made famous in the original by Fay Wray.

    Jessica Lange in King Kong 1976

    Directed by
      John Guillermin

    Writers
      Idea
       Merian C. Cooper and
       Edgar Wallace
      1933 screenplay
       James Creelman and
       Ruth Rose
      Screenplay
       Lorenzo Semple Jr.

    Producers              
      Dino De Laurentiis … producer
      Federico De Laurentiis … executive producer
      Christian Ferry … executive producer

    Cast
      Jeff Bridges … Jack Prescott
      Charles Grodin … Fred Wilson
      Jessica Lange … Dwan
      John Randolph … Captain Ross
      Rene Auberjonois … Roy Bagley
      Julius Harris … Boan
      Jack O’Halloran … Joe Perko
      Dennis Fimple … Sunfish
      Ed Lauter … Carnahan
      Jorge Moreno … Garcia
      Mario Gallo … Timmons
      John Lone … Chinese Cook
      Garry Walberg … Army General
      John Agar … City Official
      Keny Long … Ape Masked Man
      Sid Conrad … Petrox Chairman
      George Whiteman … Army Helicopter Pilot
      Wayne Heffley … Air Force General
      Forrest J Ackerman … Fleeing Extra in Crowd (uncredited)

    Rick Baker as King Kong

    Make Up Department
      Del Acevedo … makeup artist
      Rick Baker … makeup effects
      Jo McCarthy … hair stylist
      Rob Bottin … makeup effects

    Special Effects Department
      Joe Day … special effects
      Carlo Rambaldi … special effects
      Glen Robinson … special effects
      Terry W. King … special effects technician (uncredited)
      Andrew Miller … special effects (uncredited)
      Wayne Rose … special effects crew (uncredited)

    Visual Effects Department
      Lou Lichtenfield … matte artist
      Barry Nolan … photographic effects assistant
      Aldo Puccini … miniature coordinator
      Frank Van der Veer … photographic effects supervisor
      Harold E. Wellman … additional photographic effects

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    Frankenstein’s Daughter released December 15, 1958

    Posted by GoreMaster Special Effects on December 15, 2009

    Frankenstein’s Daughter (1958) was the third of four drive-in classics crafted by producer Marc Frederic and director Richard E. Cunha in their late-’50s moviemaking heyday. In it, the original Doctor Frankenstein’s grandson repeats his grandfather’s grisly experiments.

    Cast
      John Ashley … Johnny Bruder
      Sandra Knight … Trudy Morton
      Donald Murphy … Oliver Frank/Frankenstein
      Sally Todd … Suzie Lawler
      Harold Lloyd Jr. … Don (Suzie’s guy)
      Felix Locher … Carter Morton
      Wolfe Barzell … Elsu
      John Zaremba … Police Lt. Boyle

    Trivia:

    • The full monster make-up was actually being worn by a man, Harry

      Frankensteins Daughter is Sandra Knight

      Wilson. Because of this, makeup creator Harry Thomas did not realize that the creature was supposed to be female. All he could do at the last minute was apply lipstick to the creature.

    • Make-up artist Harry Thomas has said that when he was given the assignment to make a mask for the “monster”, he was not told that the monster was to be a female, so he made the mask to be a male. By the time he was notified that the monster was to be a female, the mask had already been done, and there was no money in the make-up budget left to do another one.
    • Director Richard E. Cunha recently recalled that, upon seeing the make-up for the title creature just before filming, he was so disappointed he left the set and broke down in tears.
    • The exteriors of the house were shot at the home of producer Marc Frederic.
    • Sally Todd’s scream at the beginning of the film is that of Allison Hayes from the soundtrack of Attack of the 50 Foot Woman (1958).
    • This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson’s book THE OFFICIAL RAZZIE® MOVIE GUIDE.

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    The Towering Inferno released December 14, 1974

    Posted by GoreMaster Special Effects on December 14, 2009

    The Towering Inferno is a 1974 disaster film produced by Irwin Allen featuring an all-star cast led by Steve McQueen and Paul Newman. The film was adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson, and was directed by John Guillermin, with Allen himself directing the action sequences.

    Trivia:

    • Many bit players from The Poseidon Adventure (1972) also appear in this film
    • Based on two novels: “The Tower” by Richard Martin Stern, and “The Glass Inferno” by Thomas N. Scortia and Frank M. Robinson. After the success of The Poseidon Adventure (1972), disaster was hot property and Warner Brothers bought the rights to film “The Tower” for $390,000. Eight weeks later Irwin Allen (of 20th Century Fox) discovered “The Glass Inferno” and bought the rights for $400,000. To avoid two similar films competing at the box office the two studios joined forces and pooled their resources, each paying half the production costs. In return, 20th Century Fox got the US box office receipts and Warners the receipts from the rest of the world.
    • Scriptwriter Stirling Silliphant combined the two novels to create one screenplay. The combined three words that make up the titles of the two novels were combined to give the name of the film, and the name of the building that is on fire (The Glass Tower).
    • Screenwriter Stirling Silliphant took seven main figures from each novel and incorporated them into the screenplay, as well as the major climax of each novel: the lifeline rescue to an adjacent rooftop from “The Tower”, and the exploding water tanks from “The Glass Inferno”.
    • At Steve McQueen’s insistence, he and co-star Paul Newman had to have exactly the same number of lines of dialogue in the script
    • Irwin Allen originally wanted Steve McQueen to play the part of building architect Doug Roberts. McQueen however, fought for and got the role of fire chief O’Halloran. The role of Doug Roberts went to Paul Newman.
    • Paul Newman and Steve McQueen were both paid the same: $1 million and 7.5% of box office each.
    • Paul Newman’s and Steve McQueen’s names are staggered in the opening credits, closing credits, and on the posters so that, depending on which way you read it (top to bottom or left to right), both appear to get top billing. This is known as “diagonal billing”, This strategy was being worked on when Newman and McQueen almost co-starred together in Butch Cassidy and the Sundance Kid (1969), but McQueen eventually dropped out of the project and was replaced by the lesser known Robert Redford.
    • Steve McQueen and Faye Dunaway left strict instructions that they should not be approached by visitors to the set. McQueen also refused to give any interviews. Paul Newman asked only that he not be “surprised”.
    • This film marked the first ever joint production by two big-name movie companies; Warner Bros. and 20th Century Fox.
    • Principal photography was completed on Sept. 11th 1974.
    • An instrumental version of the song “The Morning After” from The Poseidon Adventure (1972) can be heard in the background in certain scenes.
    • Desperate to capture a truly surprised reaction from the cast, Irwin Allen actually fired a handgun into the ceiling without warning the actors, who were understandably “surprised”. The trick worked and he got his shot.
    • In an interview given years after the film was released, writer Stirling Silliphant said that he always sat under a sprinkler system head when visiting a building. He said he did that because he learned it from a fireman he interviewed while researching this project.
    • Both novels were inspired by the construction of the World Trade Center in the early-1970s, and what could happen in fire in a skyscraper. In Richard Martin Stern’s novel, “The Tower”, the fictional 140-floor building was set next to the north tower of the World Trade Center. The climax of the novel was centered around a rescue mounted from the north tower of the World Trade Center.
    • The role of Lisolette Mueller (as played by Jennifer Jones) was originally offered to Olivia de Havilland.
    • Jennifer Jones’s final film to date (2008).
    • Steve McQueen did most of his stunts for the film, including having 7,000 gallons of water dumped on him in the climactic final attempt to put out the fire.
    • During filming an actual fire broke out on one of the sets and Steve McQueen found himself briefly helping real firemen put it out. One of the firemen, not recognizing McQueen, said to the actor, “My wife is not going to believe this.” To this McQueen replied, “Neither is mine.”
    • The fancy “blinkenlights” computer which runs the Glass Tower is, in fact, composed of parts leftover from an obsolete Air Force system which, in the 1960s and ’70s, protected the US from Soviet bomber attack. The computer was named AN/FSQ-7, and about a dozen of them were installed around the US. Based on vacuum tube technology, the ‘Q-7 in action took up the whole first floor of a “bomb-proof” concrete blockhouse, and generated as much raw heat as five single-family houses. The whole system became obsolete when missiles replaced manned bombers as the main threat. In the film, only the main control and maintenance consoles are used. As an ironic afterthought, the only reliable source today of vacuum tubes is the former Soviet Union.
    • Paul Newman did most of his own stunts, including climbing up and down the bent stairwell railing.
    • Of the 57 sets built for the production, only eight remained standing when filming ended.
    • The building used in the film was a series of miniatures and matte paintings. Only sections of the building were actually constructed for the actors and stunt people to perform their scenes. Exterior shots of the building were of San Francisco’s Hyatt Rejency with an additional 50 stories of matte paintings added.
    • In the original script the role of the fire chief (known at the time as Mario Infantino) was considerably smaller. According to director John Guillermin, the role was offered to Ernest Borgnine with Steve McQueen playing the architect. McQueen later said, “If somebody of my caliber can play the architect, I’ll play the fire chief,” and Paul Newman was brought onto the project as the architect.
    • According to Esther Williams in her memoirs, she was personally contacted by Irwin Allen and offered roles in both this film and The Poseidon Adventure (1972), but declined both.
    • Irwin Allen directed all the action sequences in the film, including the climactic final explosions to put the fire out.
    • The HH-1N helicopters are in the original paint scheme used by NAS Lemoore’s Search and Rescue Flight. Later on, they were painted Red and White. Up until the unit’s disbandment in 2004, the Flight was still pointing out it was their helicopters used in the movie.
    • For years, during the 80′s and 90′s, this is the movie Swedish TV used to show on New Years Eve, just after midnight.
    • The scenic elevator is actually one of two in the Hyatt Regency Hotel in San Francisco. This elevator was used in numerous movies including Time After Time (1979).
    • At first Irwin Allen did not want to use music at the first 5 minutes of the Helicopter Sequence. John Williams told Allen that he could come up with 5 minutes of music for the beginning. When Allen heard it, he agreed with Williams.
    • The large sculpture that is part of the bar design in the Promenade Room was originally used in the Harmonia Gardens set in Hello, Dolly! (1969).
    • The First Interstate Tower in downtown Los Angeles was completed the same year this film was released (1974). 14 years later, in May of 1988, the FI Tower experienced a real-life fire which burned out 4 1/2 floors , ruined many floors above with smoke and floors below with water, and closed the building for almost five months. The fire happened late at night, when only a few dozen people were in the building, and no crowds, traffic or other demands on water hampered firefighters. Only one death occurred, when someone used an over-ride key to force an elevator to the floor where the fire had started, and perished much as was shown happening to elevator riders in the film. The Los Angeles Herald ran side-by-side photos of the actual fire and the fire from The Towering Inferno on its front page the following day. The story of the real fire was told in the TV film Fire: Trapped on the 37th Floor (1991) (TV).
    • The upper 15 floors of The Glass Tower was built as a facade in the dirt parking lot of the 20th Century Fox Ranch in Malibu, California, including drapes for all the windows and an explosion hole at the outside elevator track. It remained standing in the same location for many years, even after the state of California bought the land and opened the ranch to the public.
    • Natalie Wood turned down a leading role, citing the script as “mediocre”

     

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    The Poseidon Adventure released December 13, 1972

    Posted by GoreMaster Special Effects on December 13, 2009

    The Poseidon Adventure is a 1972 American action-adventure disaster film based on a novel by Paul Gallico. It concerns the capsizing of a luxurious ocean liner by a tsunami caused by an under sea earthquake and the desperate struggles of a handful of survivors to journey up to the bottom of the hull of the liner before it sinks.

    It won the Academy Award for Best Song for “The Song from ‘The Poseidon Adventure’” (also known as “The Morning After”), which became a hit single for Maureen McGovern, as well as winning an Academy Award for Special Achievement in Visual Effects. Shelley Winters was also nominated for an Academy Award as Best Supporting Actress for her role in the film, and won the Golden Globe Award for Best Supporting Actress in a film for the role. The cast of the film includes five past Academy Award winners – Winters, Gene Hackman, Jack Albertson, Red Buttons and Ernest Borgnine. Parts of the movie were filmed aboard the RMS Queen Mary.

    The plot centers upon the fictional ocean liner SS Poseidon, an aged luxury ship from the golden age of travel, on its final voyage from New York City to Athens before being sent to the scrapyard. On New Year’s Day, it is overturned by a tsunami caused by an underwater earthquake. Passengers and crew are trapped inside and a rebellious preacher attempts to lead a small group of survivors to safety.

    A huge box office success, it was the second highest grossing film of 1972, behind The Godfather. The success of this film is in the vein of other all-star disaster films in the 1970s such as Airport (1970) and later films like The Towering Inferno (1974), and Earthquake (1974). A sequel, Beyond the Poseidon Adventure (1979), had an equally star-studded cast, but was a box-office and critical failure. The film was remade twice, first as a television special in 2005 with the same name, and a theatrical release with the name Poseidon in 2006.

     Cast
      Gene Hackman … Reverend Scott
      Ernest Borgnine … Det. Lt. Mike Rogo
      Red Buttons … Martin
      Carol Lynley … Nonnie
      Roddy McDowall … Acres
      Stella Stevens … Linda Rogo
      Shelley Winters … Belle Rosen
      Jack Albertson … Manny Rosen
      Pamela Sue Martin … Susan

    Trivia:

    • Most of the external shots of the Poseidon were shot using a model built from the original blueprints of the Queen Mary. The model is on display at the Los Angeles Maritime Museum at the Los Angeles harbor. The real Queen Mary is located just a few miles away in Long Beach.
    • Shot in sequence, taking advantage of the fact that the principals became dirtier and more tattered and

      Pamela Sue Martin

      suffered injuries – some real and some artificial – as they progressed.

    • Some of the pre-capsize sequences were shot aboard the Queen Mary, including the opening storm sequence, the pre-disaster scenes in the staterooms and hallways, the scenes above decks, and an early scene in the engine room.
    • In the scene in which Rev. Scott rescues Robin, the set was built on tracks which would slowly lower the inclined set into a large water tank. The set was supposed to stop moving once the set was half-submerged, but for some reason it continued until the camera crew was underwater. The film magazine was rushed to the lab, where immediate processing showed the film was undamaged.
    • The original script called for Rev. Scott to send Mrs. Rosen on her underwater mission, and for her to be trapped and need rescuing by him. Gene Hackman decided that his character would never ask her to do this, and suggested their characters’ situations be reversed. Director Ronald Neame agreed, and they persuaded Shelley Winters that this was indeed better for her character.
    • The set for the banquet hall was designed so that very few objects needed to be moved from the floor to the ceiling (and vice versa); the columns along the walls were identical at the top and bottom, and the wall decorations were all removable.
    • Part of the set was built on a hydraulic system which would raise it to a 45° angle, and camera tricks were used to suggest more severe angles.
    • An ending scene showing rescue boats surrounding the sinking ship was planned, but the budget ran out. The shot of the helicopter lifting off the hull was done on the studio lot, looking upward to avoid seeing the surrounding buildings.

    • Except for the most dangerous sequences, all of the stunts were done by the actors themselves. All the actors at one point complained to the production staff about how difficult the shoot was physically.
    • Shelley Winters gained 35 pounds for the part of Belle Rosen.
    • Filming was delayed twice because of the cost, and finally began only when Irwin Allen and outside backers matched the investment of Twentieth Century Fox. Reportedly, Allen found those backers by walking across the street from the Fox lot to a country club, where he found some friends playing cards. During the card game, they agreed to back the film. Because the studio never spent any of the backer’s money, the backers made a profit from the success of the film without actually spending a dime.
    • Shelley Winters trained with an Olympic swim coach so that her character, who is a former award-winning swimmer, would come across more realistically in the underwater scenes.
    • Paul Gallico was inspired to write his novel by a voyage he made on the Queen Mary. When he was having breakfast in the dining room, the liner was hit by a large wave, sending people and furniture crashing to the other side of the vessel. He was further inspired by a true incident which occurred aboard the Queen Mary during World War II. Packed with American troops bound for Europe, the ship was struck by a gargantuan freak wave in the North Atlantic. It was calculated that if the ship had rolled another five inches, she would have capsized like the Poseidon.
    • Sally Kellerman was originally offered the role of Linda Rogo.

      Stella Stevens

    • Petula Clark was originally offered the role of Nonnie Parry.
    • After the cable telegram is delivered to the Shelby stateroom, Robin jumps off the bed, inadvertently capsizing his plastic model of the S.S. Poseidon.
    • Such mid-ocean “rogue waves” were previously thought to occur only once every ten thousand years. A 2004 study of satellite radar images showed they can happen as often as hundreds of times every decade.
    • The role of James Martin was originally to go to Gene Wilder. Scheduling forced him to turn the role down.
    • Milton Berle’s brother was an extra in the dining room.
    • Red Buttons and Carol Lynley, whose characters fall in love in the movie, actually disliked each other intensely. They refused to have anything to do with each other except when the cameras were rolling.
    • The boots and pendant that Carol Lynley wears in the film actually came from her own private collection.
    • The sequence where Nonnie (Carol Lynley) rehearses “The Morning After” with her band mates was the first scene to be filmed. Originally Waddy Wachtel (the guitarist) was to be cast as her brother Teddy, but as Wachtel had brown eyes and Lynley was blue-eyed, drummer Stuart Perry was cast as Nonnie’s brother.
    • In her autobiography Esther Williams claims she was offered the role of Belle Rosen by producer Irwin Allen because of her former swimming roles (though this remains open to debate, as the character of Belle Rosen called for a large woman).
    • In the scene where Rev. Frank Scott is giving his sermon on the deck, actress Pamela Sue Martin is wearing a white and yellow poncho that was actually made for actress Rosemary Forsyth who wore it in City Beneath the Sea (1971) (TV), the TV-film that Irwin Allen produced the year before.
    • 125 stunt people were used during the filming. No one was killed or injured.
    • Contains five Academy Award winning actors – Gene Hackman, Ernest Borgnine, Shelley Winters, Jack Albertson and Red Buttons.
    • The song “The Morning After” is credited on screen as “The Song From The Poseidon Adventure”.
    • The film received 8 competitive nominations and was awarded a non-competitive Special Achievement Oscar (Visual Effects).

     

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    Scream 2 released December 12, 1997

    Posted by GoreMaster Special Effects on December 12, 2009

    Scream 2 is a 1997 horror thriller film, the second part of the Scream trilogy. This movie takes place one year after the original. As with the other films in the trilogy, Scream 2 combines straight-forward scares with dialogue that satirizes conventions of slasher films, especially (in this case) slasher film sequels.

    Scream 2

    Trivia:

    • Not only was the cast not informed who the killer was until the last Day of shooting, they also didn’t receive the last 10 pages of the script until it was time to film them. The last 10 pages were also printed on grey paper, therefore making them unable to be illicitly Xeroxed. All cast members had to sign contracts that they would not discuss the movie’s outcome or the killer’s identity with the media.
    • Body count: 10
    • In Scream, Sydney laments that with her luck, she’d be portrayed by Tori Spelling if her story were ever filmed. In Stab, the film-within-a-film in Scream 2, Tori Spelling does in fact play Sydney.
    • Cameo: [Wes Craven] man in the background at the hospital.
    • Cameo: [Kevin Williamson] Cotton’s interviewer on T.V.
    • Cameo: [Matthew Lillard] Co-star of the original Scream is in the background at the frat party.
    • Liev Schreiber’s dog (terrier) has a cameo in the film. A female co-ed leads him in front of the crowd that goes to investigate after news of Cici’s murder.
    • Most of the outdoor scene are filmed at Agnes Scott College, a women’s college in Atlanta, Georgia.
    • “Dewey’s Theme” and other bits of the score are actually taken from the Broken Arrow (1996) soundtrack by Hans Zimmer. Later Score Soundtrack releases for Scream 2 feature Belltrami’s score, although it was not used in the film.
    • There are several references to actors from “Friends” (1994) which stars ‘Courtney Cox’. Gale says that the nude photos of her that were put on the internet are fakes, and that the body is that of Jennifer Aniston. Also, We learn that in Stab, Dewey is played by ‘David Schwimmer’.
    • Though in most films, phone voices are recorded later, director Wes Craven actually had the voice of the killer on set, to heighten the sense of fear for the actors. According to ‘Roger L. Jackson’, who plays the voice, he was kept on set but always out of sight from the actors, so they couldn’t picture a face with the voice. He said while watching the monitors, he could see between takes that Heather Graham looked a little scared, whereas Sarah Michelle Gellar would pick up the phone and carry on a conversation with him.
    • Gail’s mention of doctored internet photos is also a reference to an incident that actually happened to ‘Courteney Cox’ in the mid-1990s.
    • Paulette Patterson, who plays the usher who hands masks to Maureen and Phil, won her role in a contest sponsored by MTV.
    • Eric Mabius, Natasha Gregson Wagner, and Paula Marshall all auditioned for roles.
    • The Gothic statues in the film aren’t Agnes Scott campus features; they were put there for the film and guarded by a watchman. Students on the campus for summer events were told not to mess with the statues, but at least once the statues were dressed up and decorated by mischievous students who evaded the watchman.
    • Officers Richards and Andrews are named after Kyle Richards and Brian Andrews, the two child actors that Jamie Lee Curtis babysat in the original Halloween.
    • The girl that Cici talks to on the phone before the killer calls is Selma Blair.
    • The third rule to surviving a sequel is cut from the movie, but is shown in the trailer. “”And #3. Never, ever under any circumstance assume that the killer is dead.”
    • The tagline for “Stab” (the movie within the movie) is, “This is Gonna Hurt”.
    • The plot twists were all a matter of top secrecy throughout production. The screenplay was heavily guarded and restricted to only the most crucial personnel. Certainly none of the cast knew how the film ended as the last 10 pages were withheld from them. Consequently when an early screenplay draft was leaked onto the Internet, revealing the intended identity of Ghostface, Kevin Williamson was forced to do some hasty rewrites. This meant that the film went into production without a completed script.
    • Earned one third of its total gross of $101.3 million in its opening weekend.
    • The rules for a horror movie sequel – as laid out by Randy in the film – are (1) the body count is always bigger and (2) the death scenes are always much more elaborate with more blood and gore.
    • The killer’s comments when Omar Epps overhears him in the bathroom stall next to him are directly inspired by the killer in Black Christmas (1974).
    • The film’s working title was “The Sequel to Scream”.
    • Released less than a year after Scream (1996/I).
    • A number of sequences in Kevin Williamson’s screenplay simply read “Wes will make it scary”.
    • Any actor auditioning for the part of Derek had to perform the scene in the cafeteria where he sings “I Think I Love You” without accompaniment.
    • Sarah Michelle Gellar signed on for the movie before even reading the script
    • When we first see CiCi (Sarah Michelle Gellar) alone in the sorority house and on the phone with her friend, she says “They aren’t going out anymore, Sarah broke up with Bailey when she found out he slept with Gwen.” Sarah, Bailey and Gwen were all characters on “Party of Five” (1994), which Neve Campbell starred in for 6 years.
    • In the trailer and TV spots, the scene where Sidney talks to the killer for the first time on the Lamda house phone is altered. In the trailers, the killer replies to her question with “It’s time, girlfriend!” In the theatrical version, he says “I want you. It’s show time.”
    • The idea of a sequel came up when writer Kevin Williamson was writing the script for _Scream (1996)_, feeling there was more to the story.
    • Started filming just 6 months after it’s predecessor _Scream (1996)_ was released.

     

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    Flash Gordon released December 5, 1980

    Posted by GoreMaster Special Effects on December 5, 2009

    Flash Gordon is a 1980 science fiction film, based on the eponymous comic strip character Flash Gordon. The film was directed by Mike Hodges and produced by Dino De Laurentiis. It stars Sam J. Jones, Melody Anderson, Chaim Topol, Max von Sydow, Timothy Dalton, Brian Blessed and Ornella Muti. The screenplay was written by Michael Allin and Lorenzo Semple, Jr. It intentionally uses a camp style similar to the 1960s TV series Batman (for which Semple had written many episodes) in an attempt to appeal to fans of the original comics and serial films. The film is notable for its soundtrack composed by rock band Queen.

    Melody Anderson

    Trivia:

    • There is a rumor that the monitor behind Hans Zarkov (Topol) as he is having his memory dumped shows scenes from Topol’s previous movies.
    • Dino De Laurentiis originally hoped that Federico Fellini would direct this film. The director had actually contributed to the original Flash strip cartoon during WWII.
    • Kurt Russell auditioned to play Flash Gordon.
    • Sam J. Jones was cast in the role after being spotted by the mother-in-law of Dino De Laurentiis on an episode of “The Dating Game” (1965)
    • At one point Ming the Merciless says when he destroys a planet, he calls upon “the great god Daizan”. Daizan is Japanese for “great cruelty”.
    • Max von Sydow’s Ming costume weighed over 70 pounds and he could only stand in it for a few minutes at a time.
    • The psychedelic color effects throughout the Ming universe were accomplished by swirling multicolored dyes through creatively-lit tanks of water.
    • One of the feast items in the Hawkmen’s Kingdom was Twinkies colored with food dye.
    • Nicolas Roeg was originally going to direct, but didn’t due to creative difference. One of his proposals was to excise the trademark cliffhangers and melodrama, seeing Flash as more of “a metaphysical messiah.”
    • Dennis Hopper was considered for the role of Dr Zarkov.
    • Leon Greene was re-voiced by David de Keyser.
    • John Osborne only has two lines.
    • Mike Hodges was the eighth director chosen.
    • Director Mike Hodges, referring to the numerous production problems that plagued the film, once called it “the only improvised $27-million movie ever made”.
    • The insignia on Klytus’s uniform is based on Masonic symbols.
    • Princess Aura’s “pet” is named Fellini. Production Designer Danilo Donati worked on a number of Federico Fellini films.
    • George Lucas had hoped to remake the original Flash Gordon (1936/I), but when he learned that Dino De Laurentiis had already bought the rights, he wrote Star Wars (1977) instead.
    • Mike Hodges considered commissioning Pink Floyd to compose the music.
    • First film of Jim Carter.
    • The backstory of Flash’s T-shirt was that it was a gift from an anonymous female fan. Flash wore it a lot in the hopes that he would eventually meet the woman.
    • In the original script, when Flash is sentenced to death by Ming, Dale bursts out that Ming is “absolutely merciless”. Ming is enthralled with the description, and immediately starts calling himself “Ming the Merciless”.
    • According to the original storyline, when Dale is entranced by Ming’s hypnotic ring, she is having a vision of being on an erotic picnic with Ming in a 1920′s setting.
    • Klytus and Kala, Ming’s two chief henchmen, were competitors for their ruler’s favor. Ming played them off against each other to keep them from teaming up against him. This was downplayed in the film to keep the storyline fluid.
    • In the original script, Flash and Dale first meet at a Canadian resort called Dark Harbor. Although they flirt with each other, they don’t become acquainted until they’re sharing the ill-fated plane ride to New York City. Dale later talks briefly about Dark Harbor during her tear-filled meeting with Flash before his execution.
    • Dr. Zarkov’s backstory was that he was a NASA scientist who was fired for his paranoid fantasies that Earth was going to be attacked from outer space. Sixty Minutes derided him as “A Poor Man’s Billy Mitchell”.
    • Ming’s attack on Earth was accomplished by bombarding the moon with force beams, knocking it out of orbit. The meteors which disrupt Flash’s airplane flight were burning chunks of lunar debris.
    • Sam J. Jones’ dark hair was bleached blonde for this role, and Melody Anderson’s blonde hair was dyed brown. Flash was also supposed to have blue eyes, but Sam could not wear the contact lenses.
    • Ming’s symbol (which Klytus also wears on his gauntlets) is borrowed from the Freemason’s square and compass. Ming also makes a Masonic gesture during the course of the movie.
    • The wristwatch Flash is wearing in the early scenes of the film is a Seiko automatic chronograph, model 6139-6002. The watch disappears when Flash gets to Mongo.
    • All the main actors were signed for multiple films but the sequels were never made since the first movie didn’t do as well as expected.

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